Archive for the ‘Quilt History’ Category

Quilt Photos from Germany

Saturday, August 14th, 2010

Jacquie Sciutto has sent some photos from a special gift album given to her by her German friend, Jowi Kirschbaum. These quilts were photographed at a hotel where they hang in the hallways. The building was the former hunting lodge used by the Bishop of Cologne. These textiles are very unusual. I think you will agree. First a look at the building that houses these treasures.

Schloss-Eringerfeld Inn, Cologne, Germany

The following quilts are displayed at this fabulous building. For more information, visit this German website: http://www.schloss-eringerfeld.de/

German Crazy Quilt

German Crazy Quilt

Close up

Close-up of embroidery on Crazy Quilt

Crocheted item with cigarette cards

Crocheted item with cigarette cards, probably from the Victorian Age when cigarette silks were popular

Close up of crocheted item

Close-up of crocheted item

Possibly from India

Textile that is possibly from India

Russian quilt

Probably a Russian quilt. Looks very similar to one that a friend brought back from Afghanistan.

Many thanks to Jacquie for sharing these photos. This file is a result of a list discussion about early Crazy Quilts and textiles. It is fun to see these European variations. The Internet makes the world a much smaller and friendlier place!

Patricia Cummings

There is Something about a Crazy Quilt

Thursday, August 12th, 2010

Late 19th century Crazy Quilt

19th century Crazy Quilt from the Lewis Collection

The image you see above constitutes a quilt top only, not a finished quilt. The 16 blocks were assembled by an ancestor in the Lewis family, a group that encompasses four generations of needleworkers / and quilters. I have photo edited the edges so that they are straight. If I were going to finish this quilt, which I have no intention of doing, I would trim the edges so that they would be straight. I prefer not to tamper with antique artifacts. I have enough of my own quilts to worry about whether or not they will be completed in my lifetime, let alone all the unfinished needlework I started in good faith but have not found the time to complete.

I like Crazy Quilts. The height of popularity for Victorian Crazy Quilts with fancy fabrics and fibers was from 1880-1900. A few people, late to the trend made some of these beauties after that time. Of course, I have seen a woolen Crazy Quilt carriage cover in Maine, and quite a few all-cotton Crazy Quilts from the 1930s, some of them sans the fancy embroidery that usually accompanies asymmetrical piecing, the two main characteristics of Crazy Quilts.

In the quilt above, I like the balance of color. It seems that the quilter had a good sense of placement for light and dark fabrics, and the repetition of certain fabrics and colors yields some unity to the overall design. I hope that you enjoy seeing this quilt. It has another special feature, a unique silk ribbon that may have come from the lining of a man’s hat.

Patricia Cummings
Quilter’s Muse Publications and Virtual Museum … on the Internet since 2002

World War II Quilts: A New Book by Sue Reich

Tuesday, July 20th, 2010

The colors of Red, White and Blue are predominant in the new, patriotic book by Sue Reich that honors the textiles made during the most astounding war… ever! The author provides dozen of quilt examples, photos of ephemera, and photos of individuals to accompany the marvelous text she shares. Individual fabrics, close-ups of old quilts, and poetry add to the mix of images. Very unique items are included, such as the embroidered record of Aldora Howe’s son’s service in the Coast Guard, during World War II. This large quilt measures no less than 75″ x 100.”

There is no doubt about it. The mothers and sweethearts that stayed at home cheered the “boys” with letters and packages, while doing the work of the men, in factory jobs they’d left behind. This hardcover book, published by Schiffer Publishing in 2010, is a charming look at a variety of textiles, not just cotton quilts. War was on the minds of all who lived through that period. Who could escape it? Service banners were hung to demonstrate that one or more “stars” (sons) were serving in the Armed Services.

The first thing I noticed about the book is that it can be considered “eye-candy,” yet, in delving into it, one can readily see that it represents a whole lot more than just pretty pictures. If you want to understand the War a little bit better, acquire this book as a permanent record of some of the ways that patriotism and love were expressed via textiles. This book was worth the wait!

Patricia Cummings
Quilter’s Muse Publications

Crafted Lives: Stories and Studies of African American Quilters

Friday, July 16th, 2010

Crafted Lives: Stories and Studies of African American Quilters by Patricia Turner, (Jackson: University Press of Mississippi, 2009), with a foreword by Kyra Hicks, is a book that has graced my bookshelf for months without my opening it, until tonight! Knowing how quickly book titles go out of print, when I come across a title that sounds pertinent to quilt history, I usually try to acquire it.

Sometimes, I just don’t have the time to do as much reading as I would like, but remembering that Patricia Turner was reported to have shared some comments about the Underground Railroad and purported quilts that helped slaves to safety, I decided to turn to that chapter to see what she said.

I was not disappointed. She presents a very balanced view, ending her remarks with a description of how she teaches her students to authenticate topics related to the Underground Railroad. Describing slavery as an “egregiously dehumanizing institution,” she exclaims that the “Underground Railroad can be an enormous source of pride to anyone who wants to find noteworthy achievements embedded within the ‘peculiar institution’.”

She states: This is the truth that undergirds the legend that quilts facilitated the escape of slaves. The sources I train my students to use don’t authenticate a quilt code. They do, however, affirm that nineteenth-century African Americans were enormously creative and courageous.

Finding these statements was a pleasant experience! Now, I hope to read the rest of Turner’s book that explores the “creations and wisdom” of nine quilters.

Patricia Cummings
Quilter’s Muse Publications

Cuban Quilting

Wednesday, July 14th, 2010

Today, I received an e-mail inquiry from someone in Florida who wishes to know more about Cuban quilts. In an online Google search, I found a letter by the late Cuesta Benberry, renowned quilt historian, written in the year 2000. It mentions an exhibit that was to be set up in Buffalo that year to represent the book, A Communion of the Spirits by Roland L. Freeman. She adds that four Cuban quilts, rarely seen in the United States, would be included in the exhibit. Freeman’s book is an amazing compendium of the work of African-American Quilters, in a broad view never before presented. It was published by Rutledge Hill Press, now out of business, and features many wonderful color photos of quilts and their makers.

The following article is the first specific reference to Cuban quilts that I’ve located. The Miami Herald features an article written by Fabiola Santiago in which she describes a book called MATANZAS: THE CUBA NOBODY KNOWS by Miguel A. Bretos. Matanzas is a location much closer to the United States than Havana and a significant number of Afro-Cubans live there. Evidently, Matanzas is a city hub brimming with Cuban Art, unique dance forms, and other points of culture. The city has been nicknamed the “Athens” of Cuba. Ms. Santiago mentions that a woman named Tia Niquita is “renowned for her quilts.”

http://www.miamiherald.com/2010/05/02/1606410_p2/finally-matanzas-gets-some-respect.html

I asked Kyra Hicks, quilt historian, if she knew of any Afro-Cuban Quilts. She responded with the following book link that is for a self-published book about Hilda Simmons, a quilter from Cuba.

http://www.blurb.com/bookstore/detail/1239098

If anyone hears of other examples, please let me know.

Patricia Cummings, pat@quiltersmuse.com
A song I recorded a while ago: “Cuando Sali de Cuba

Whig’s Defeat Quilt Block

Saturday, July 3rd, 2010

Whig's Defeat quilt block by Patricia Cummings

Whig’s Defeat seems to be a curious name for a quilt block. The name “Whig” dates to revolutionary war times when anyone with radical ideas earned that title.

The Whig party attracted some notable politicians and had two elected U.S. presidents, and two vice-presidents who came to the office of president through the back door. William Henry Harrison, our beloved 9th president, died in 1841 after giving the longest-ever inaugural speech in the rain. He caught pneumonia and died, and John Tyler replaced him as president from 1841-1845.

The only other elected Whig president was Zachary Taylor who served from 1849-1850. Former vice-president, Millard Fillmore, served as president from 1850-1853. By 1856, the Whig Party was essentially defunct.

The “Whig’s Defeat” block is one that I always assumed was both pieced and appliquéd, as was stated in Rose Wilder Lane’s book. Recently, it has come to my attention that in the southern states of the U.S., the quilt block was entirely pieced, a way of working that makes no sense to me!

When I made this block a couple of years ago, I thought it to be somewhat difficult, but I liked the finished product which I have now incorporated into a wall quilt.

Have a wonderful 4th of July!

Patricia Cummings
Quilter’s Muse Publications

The Ties That Bind: 100 years of Quilts by the Aldrich Family

Friday, June 4th, 2010

Today, the sun was shining when we got up and we decided that there was no time like the present day to visit Sugar Hill, NH and a newly-installed exhibit of 40 quilts at the Sugar Hill Historical Museum. The display will be in place until October 11, 2010 and is nicely set up along with no less than 59 antique aprons. One of the quilts is a signature quilt made in 1889.

The quilts range in size from doll bed quilts to crib size quilts to bed quilts and modern wall hangings, some of which were designed and made by Everett Aldrich, the newly-appointed president of the New Hampshire Quilter’s Guild. Old Sewing Tools and Memorabilia, as well as Aldrich Family Genealogy is presented, along with an “antique” marriage certificate that has been framed.

The museum gift shop is selling raffle tickets for a (new) quilt, as well as notecards, books, fabric packets, coffee mugs and other delightful items. There is no charge to view the exhibit, but of course, donations are accepted, as are memberships or business sponsorships.

No photos were allowed. Here are some views of the North Country today.

Sugar Hill fire truck

This 1939 Ford pick-up was originally used as a hay truck on Henry Crapo’s farm until he donated it to the fire department. The vehicle has been restored and is put on display on the lawn in front of the Sugar Hill Museum, every weekend.

Lupines of Easton, NH

Lupines we saw by the side of the road in Easton, NH.

Stream in Easton, NH

Jim picked up a tick on his bare leg, while attempting to take pictures of this lovely stream.

child statue in Bethlehem, NH

Statue of a child in Bethlehem, NH in a little public garden area with White Iris.

If you are in the area and like quilts and aprons, I recommend this unique exhibit. We enjoyed it! The exhibit is open every Friday and Saturday, 11 AM – 3 PM. For more information, contact the Sugar Hill Historical Museum, 1401 Route 117, Sugar Hill, NH 03586 (603) 823-5336.

Patricia Cummings
Quilter’s Muse Publications

Another Mammy Quilt from Texas

Thursday, May 20th, 2010

Sherri Winter's Mammy Quilt from TX hills

Mammy quilt from the Texas hills

The image above represents yet another “Mammy quilt.” Of the ones I have seen so far, they are all very different. This one features solid color fabrics for the dresses, in red, orange, beige, green, electric blue (my name for it), and tan. Notice that each “mammy” is wearing her hat a different way. The owner, Sherri Winter, states that she thinks the quilt is over 100 years old. It is always more difficult to guess the age of a quilt that has only plain, not printed, fabrics.

Although some folks would consider something like this a sign of racial prejudice, keep in mind that it is only a material object, and the maker probably had a fondness for mammies, those beloved and nurturing members of many a southern family.

Thanks very much for sharing this quilt.

I have posted other information about mammy quilts on this blog. Use the “search” function to find the other files, if you wish.

Patricia Cummings
Quilter’s Muse Publications

New England Quilt Museum News – May 2010

Tuesday, May 4th, 2010

May News from The New England Quilt Museum

Opening Reception for Women’s Writes: Signature Quilts and Their Stories

May 15, 1pm

Join us on May 15 at 1pm for the opening reception for our groundbreaking exhibition on women’s material history, Women’s Writes: Signature Quilts and Their Stories. The curators for the exhibit, NEQM Acting Curator Laura Lane and quilt historian Lorie Chase, have assembled an extensive group of signature quilts, drawn from both the museum’s own permanent collection and borrowed from private collections, to showcase the wide range of actions women in the 19th and early 20th centuries were able to take by combining needle and thread with the power of the pen.

At a time when women did not have the vote, property rights, or occupational opportunities, and were just beginning to have beyond-basic literacy skills, creating signature quilts was a chance at self-expression and self-sufficiency. Frequently made as charity fund-raisers, signature quilts gave women a measure of both political and economic independence, enabling them to fund their favorite social causes entirely on their own. Groups of women raised money for temperance, abolition, church renovations, the Red Cross, and women’s social clubs by raffling off signature quilts. Many women’s groups also signed the quilts they made for troops during the Civil War, often adding patriotic verses to their signatures.

While making signature quilts for political or social causes was a major means of women’s self-expression, many more personal signature quilts were made. These quilts, too, provided a means for women to assert a more active role within their families and communities. The giving of a signature quilt placed women front and center at major family or local events, such as marriages, births, the departure of an important town resident, or the commemoration of a civic event. The more personal quilts provided an even greater chance at expression, and many signers added favorite poems or Bible verses, as well as personal messages to recipients, making signature quilts a unique window into everyday American women’s values. With family quilts making up a large proportion of these works, they are also of significant interest to genealogists.

So important were signature quilts in 19th century American society that by the middle of the century, industry provided stamps to embellish signatures, patterns, sample verses, and calligraphy advice to the nation’s quilt makers. The tradition continues and is still honored today by contemporary quiltmakers.

Women’s Writes will run from May 13 through July 11. Support for this exhibition is provided in part by Mancuso Show Management.

Learn Victorian Inking with Faye Labanaris and Sign Your Quilts with Flair

1-Day Workshop, May 22, 10am – 1pm
With weddings and graduations in full swing, now is the time many quilters are making special quilts as gifts. Label your quilt with a unique heirloom label, featuring the same vintage hand-inking seen on many of the quilts in Women’s Writes! Sign your quilts with confidence and flair! Learn foolproof calligraphy with very little effort, skill, or pain. Create several original design labels for your quilts right in class. Afraid of drawing on your quilt blocks? Learn to use fabric pens with skill and confidence. Create delightful detail on your Baltimore-style blocks. This is a fun class and you’ll discover talents you never knew you had!

Cost: $55 members/$60 non-members; includes all materials. To register, contact the shop at 978-452-4207, ext. 16, or shop@nequiltmuseum.org

Save the Date: Lowell Quilt Festival

This Year’s Dates: August 12 – 14

This year’s Lowell Quilt Festival offers more excitement than ever before. IMAGES, the centerpiece of the Festival, has been moved to a new location, Lowell Memorial Auditorium, and offers so much to see and do, including:

* Award-winning quilts at IMAGES 2010
* Special Exhibits
* Special Events
* Live Auction of quilts with wine/cheese preview
* Exciting raffles
* Daily “Lunch & Learn” speakers with truck shows (limited space — advance registration recommended)
* Vendor demonstrations
* Top – notch vendor mall for all things fabric and sewing-related
* All proceeds from IMAGES 2010 benefit the New England Quilt Museum

Museums and galleries around town are partnered with the New England Quilt Museum to offer additional exhibits featuring the very best in textile arts. From historic Lowell’s cotton mills to the latest work from contemporary fiber artists, there’s something on view for every interest.

To help visitors see all there is to see, the Festival will offer a FREE HOP-ON/HOP-OFF SHUTTLE connecting parking areas to all participating Festival sites, funded by the City of Lowell.

Visit the Festival website, www.lowellquiltfestival.org for the latest news. Then, come to Lowell this August. You’ll be glad you did!
Book Group, Volunteer Thursdays & NEQM in the Community

Every Thursday, Outreach Program Manager Rhonda Galpern and volunteers meet to work on a variety of quilting projects: they assemble raffle quilts to benefit the museum, organize student projects or finish the quilts begun in local schools, as well as teach small groups the FUNdamentals of quilting. Visitors learn about quiltmaking and the museum’s connections with Lowell schools and community organizations.

Join us for these fun and educational programs!

Community Quilting: May 6, 13, 20, 27, 10am-3pm

Brown Bag Lecture: May 5, 12:30 – 1:30pm: Think Orange: “Quilts for a Cure” Melanoma/Skin Cancer Awareness Month

Book Group: May 20, 12:30 – 1:30pm: The Bishop’s Daughter by Wanda E. Brunstetter
Franciscan Guest House–Book Your Next Quilt Workshop

The Franciscan Guest House at Kennebunk Beach, Maine offers the ideal location for your guild’s next workshop. Spacious workrooms, with large tables and plenty of light, great scenic views, and a convenient location make the Guest House perfect for weekend or week-long workshops. Reasonable rates, delicious food, and just 90 minutes north of Boston. A short walk to the beach and shops of Kennebunkport. For more information, visit the guesthouse website at www.franciscanguesthouse.com/quilt_retreats.html or call 207-967-4865.

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Chelmsford Quilter’s Guild

“A Quilt Show to be Remembered”

May 14-15, 2010

Friday 12 noon – 8pm, Saturday 9am – 4pm
Over 100 quilts on display ~ Food court ~ Raffles ~ Boutique ~Silent Auction

Admission $5.00

Church of St John the Evangelist
115 Middlesex Street
North Chelmsford, MA

Visit http://www.chelmsfordquiltguild.com/show.shtml for more information and quilt show submission form.

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Take our Survey and Get 20% Off in the Museum Shop
Please take our survey and help us to bring you more of your favorite exhibitions, programs, shop merchandise, and classes! Tell us anything — what you like, what you don’t like, how we can make this Museum even better…Your responses are completely anonymous, and will help us to tailor our programs to patron interests. As a token of our appreciation, we will give you 20% off any non-consignment item in the museum shop. Click here to take the survey: http://www.surveymonkey.com/s/JM89YMM

Call for Entries:

From Fine Art to Fiber: Reinterpreting the Masters

Deadline: May 15
The Whistler House Museum of Art hopes you will consider an entry to their juried art quilt exhibit this summer (in conjunction with the Lowell Quilt Festival). Send an email to jdyment@whistlerhouse.org to receive a prospectus. Entries are due by May 15th.

This year’s theme is “From Fine Art to Fiber: Reinterpreting the Masters.”
The exhibit will consist of quilts inspired by famous works of art including
paintings, murals, and sculpture — from Michelangelo to Warhol and beyond.

Whistler House Museum of Art
243 Worthen Street
Lowell, MA 01852
978-452-7641
Wednesday through Saturday 11am to 4pm
www.whistlerhouse.org

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N. Billerica, MA 01862, Phone: 978-667-6300, www.uniqueboutiqueboston.com, info@uniqueboutiqueboston.com

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Amoskeag Quilters’ Guild Biennial Quilt Show/Quilt Auction

May 15 – 16
“Coming Home” features a wide array of quilts created by Guild members, including a queen size, patriotic raffle quilt. All raffle quilt proceeds will go to Liberty House, an agency that provides temporary assistance to homeless veterans. Other features of the show include vendors, door prizes, demonstrations, raffle bags, and refreshments. Parking is plentiful, and the venue is handicap accessible.

Show: Sat. and Sun., May 15-16, 2010
10 a.m. – 4 p.m.
Auction: Sun., May 16, 2010
1 p.m. (preview during show hours until 12:30 p.m. on Sun.)

Multi-day admission for the show/auction: $6.

Manchester Memorial High School, 1 Crusader Way, Manchester, NH 03103

Web site link: www.amoskeagqg.org
Amoskeag Quilters’ Guild, P.O. Box 4116, Manchester, NH 03108-4116
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Penny Power Campaign Update

The results are in from our first Penny Power campaign. It’s amazing how small change can add up! We emptied one of our two embellished piggies, and there was more than $92 in change in that one little piggy bank! Please continue to help fuel the Museum with Penny Power by disposing of your loose change.

Last summer, the New England Quilt Museum received a Cultural Facilities Matching Grant from Mass Cultural Council and MassDevelopment for $77,000, to be used to address deferred maintenance issues in our historic 1845 building.

Having raised more than $40,000 from the current and past Board of Directors, we are campaigning to raise the remaining $35,000. One of the first projects we are undertaking with our matching grant funds is the upgrade we desperately need for our HVAC system — that’s why we’re turning to you to help fuel the Museum with Penny Power.

When you visit NEQM, look for Penny and Patches Pig, two lovely, embellished piggy banks, one on the front desk and one in the library. We are asking you and all our visitors to consider disposing of your pennies by feeding the pigs, helping us fuel the museum with Penny Power. We are also inviting Guilds to consider passing around a Penny Jar for the Museum at monthly meetings, as some of our supporting guilds already are doing.

We are also asking every member to consider keeping a jar at home and emptying all your loose change into the jar at the end of the day. Find a spare penny in a pocket or on the sidewalk? Put it in your jar and then bring your jar into the museum to be emptied and tallied in with what we hope will be thousands of other pennies.
Tell Your Online Friends You Like the New England Quilt Museum

Are you on the social network Facebook? Tell your online friends and family how much you enjoy the New England Quilt Museum by “Liking” the Museum’s Fan Page today. Connecting with us online not only lets you tell the world about your interest in the Museum by posting it to your profile, but also gives you access to candid event photos, special museum shop sneak-peaks, and an easy, one-click way to make plans with friends to attend our next events together. Just visit our Fan Page at http://www.facebook.com/pages/Lowell-MA/The-New-England-Quilt-Museum/101991031637 and tell your friends you like NEQM!

Annual NEQM Members’ Meeting

May 26, 5pm
All members of NEQM are invited to the Museum’s annual member meeting on May 26. Come meet your fellow members, enjoy light refreshments, and hear a special program from the National Park Service! Not a member? Join today! Memberships cost as little as $30 a year, and help support the New England Quilt Museum and all its programs. For membership information and to join online, visit http://www.nequiltmuseum.org/support-us/index.html

The New England Quilt Museum
18 Shattuck Street
Lowell, MA 01852

www.nequiltmuseum.org

Loudon (NH) Bicentennial Quilt

Thursday, March 18th, 2010

I am always charmed when I find a quilt hanging in a public spot such as a hospital, clinic, or meeting place. Last night, we enjoyed seeing the quilt that was put together for the 1976 Bicentennial celebration of Loudon, New Hampshire. The quilt is mounted in a permanent, wooden frame in “Charlie’s Barn” where local residents who belong to the Loudon Historical Society meet. There must be a reason the place is called “Charlie’s Barn.” Alas, we do not know. If you do know, please tell us! Write to: pat@quiltersmuse.com

Charlie's barn

Meeting place of the Loudon Historical Society, at dusk on March 17, 2010.

bicentennial quilt 1976

The Bicentennial quilt features many landscapes and includes important buildings in town. I was most impressed with a church building depiction that utilizes fine wale, white corduroy to simulate the clapboards. Lovely! The framing on this is fantastic! What a lot of work went into this quilt. Most enjoyable to view!

Patricia Cummings
Quilter’s Muse Publications