Archive for the ‘Books’ Category

Quilt Historian/Appraiser Endorses our new e-book: Straight Talk About Quilt Care II

Saturday, January 16th, 2010

Beth Davis of Rush, New York, a certified quilt appraiser and member of PAAQT, sent the following review of our latest e-book publishing effort.

Patricia Cummings has just revised her book Straight Talk About Quilt Care (originally available in print form in 2005). There are only a few books on this subject but this is one of the best! She has updated the information and research resources in what was already a valuable and one of the most complete guides for quilt care and restoration. The book now has 124 pages. Pat focuses not only on quilts, but also other textiles (of both natural and man-made fibers) with some practical techniques to gently clean and properly store your treasured quilts interspersed with a few humorous stories to get the points across. There is an interview with a quilt restorer, with before and after pictures of damaged quilts. The colored “tips” boxes highlight pertinent information. The data in the document can be quickly searched by simply typing in a keyword in ‘Find’ in the Toolbar and the Table of Contents is linked to the corresponding chapters. Whether you are interested in repairing or if you simply want to learn more about the quilts you have, this e-book is perfect for your library.

Thank you for this overview, Beth. We are so happy that you enjoyed Straight Talk About Quilt Care II.

Beth Davis at her booth

Beth Davis, an active quilt historian, appraiser, and one who loves old textiles, often sets up a booth such as this one (2007), to share her knowledge of antiques and tips about quilt care.

Beth holding her book

(Elizabeth) or Beth Davis, as known by friends, wrote a book about the quilts of the Genesee Country Village and Museum. She is demonstrates hand quilting when the museum is open. Her book, A Stitch in Time, is still available at the museum shop.

You will find Straight Talk About Quilt Care II to purchase, only at Quilter’s Muse Publications. We carefully produce each book, as orders come in, insuring that you are not buying a shop worn or scratched CD. In these inflationary times, we wanted to offer a very useful and complete tool for the understanding of quilt and textile care, and do so at an affordable price. Please visit our Products Available page to order via Paypal or to view other payment options. This is not a download. The physical CD will be mailed to your residence. If you prefer the written word, you may print out one copy of this book for your personal use. I think you will enjoy the navigational abilities of an e-book, the way we have formulated it.

Thanks again, Beth, for your kind words about our new book.

Patricia Lynne Grace Cummings (writer), and James Cummings (photographer)
Quilter’s Muse Publications

Mistakes in Print: Be Aware

Tuesday, January 5th, 2010

Tonight, at 10:28 p.m., I have been thinking about the power of the printed word and how it stays with us, even if/when it is not true. A few weeks ago, I made an outrageous statement that irritated a few people who belong to a certain list. I simply stated that I do not read historical novels because I don’t want to “pollute” my mind. My intention was clear cut. I was not putting down the reading selections of anyone else. It was an “I” statement. I only want to read history that is actually true. In the past, I certainly have enjoyed historical novels, especially one of the most famous ones, Gone with the Wind, which I read in high school and saw the movie about the same time.

It is a challenge to read and to write history. Sometimes, it is not what we say, but what we leave out, that make what we have said an incorrect statement. As history gets rewritten, it often becomes wrong and the intent of the original writer is lost in the rewriting of a story. That is partially due to the loss of infused meanings due to the manner of speech alignments and patterning. In other words, how one states something is as important as what is said. In speaking out loud with each other, we can infer the emotional state of the speaker by listening to verbal clues such as loudness of speech, its rapidity, and we can see other non-verbal cues such as waving one’s hands in the air, making a fist, or turning red in the face. We don’t have the advantage of visual clues in the written word.

The main reason I am considering this subject of history and how it is imparted is that I am recalling many mistakes that have been made in books and magazine articles about quilt history, for nearly 100 years. Mistakes continue today. One recurring one surrounds the idea that quilting started in the United States, and in colonial times, and that it began with colonists cutting up their tattered garments to make quilts out of used clothing. Nothing could be further from the truth.

In my latest e-book, Straight Talk About Quilt Care II, I speak about the earliest extant examples of quilts. They were not pieced, any more than the few quilts made during the colonial period in America were, a period that ended, ostensibly, in 1776, when America became a country. A certain writer claims that pieced blocks have their roots in colonial America. It would be a stretch for anyone to prove that point. Wholecloth quilts, either brought with the colonists, or made here, ruled the day during the time period we consider to be colonial times.

The trouble with people getting information “wrong,” is that students and researchers often access the writings of those who have previously investigated a subject. In gathering “facts” from books, they simply repeat the same mistakes, over and over and over again. That is one reason why the Underground Railroad Secret Quilt Code continues to be promoted in some circles. A lot of advertising was given to the false concept. A certain historian credits Raymond Dobard, Jr., Ph.D. with being the first to publish a book about the “code.” That is not true either.

If you recall, the idea of a secret quilt code to assist escaping slaves was first promoted in a fictional book for children in 1982. (Files on my website describe the whole situation). As far as I know, I was the first to create an illustrated description and explanation of why the quilt code did not add up, providing examples of each purported quilt block in the code, even if I had to create the quilt block myself. Initially, that article, a 4,000 word essay, was printed in a newspaper. Later, I wrote two more articles for The Quilter magazine, and NeedleArts magazine offered their readers a 10 page summary, based on my initial article. As far as I know, my newspaper disputation was the first in print for a mainstream America audience.

Recently, I was told that there is a great deal of pressure to bring academic writings to the point of publication. For that reason, sometimes work is not as thorough or exact as it could be. I could continue pointing out errors printed in books, etc., but I will not.

If you are a writer, please pay attention. Do not take anything for granted, or write it down because you “assume” it to be true. Please be more careful and check your facts, because in the long run, more damage will be done if you get it wrong. Remember this: If you don’t know something, it is not a sin to ask someone who does know, or to do more research. In the cases cited above, a simple visit to my website would have cleared up some misinformation before it made its way into gigantic tomes of the “latest” books on quilt history.

Patricia Cummings
Quilter’s Muse Publications

From The Book of Kells to Electronic Books

Sunday, December 6th, 2009

Circa 800 A.D., Celtic monks prepared handwritten and hand-illustrated manuscripts that feature the four Gospels, a fragment of Hebrew names, and the ‘Book of Columba’ in a work known as The Book of Kells. Trinity College in Dublin, Ireland has these pages on permanent display. By the way, Dover Publications sells, The Book of Kells: Selected Plates in Full Color, edited by Blanche Cirker (1982). Just do a subject search on this search page.

Wood block printing was one way in which books were printed before Johannes Gutenberg (circa 1398-1468) invented printing via a movable type method. About 1455, he printed 200 copies of the (Gutenberg) Bible.

In the nineteenth century, people were scandalized when the publication, “Godey’s Lady’s Book,” edited by New Hampshire born, Sarah Josepha Buell Hale, was referred to simply as “The Book.”

Why, everyone knew that the words, “The Book” were reserved for the Holy Bible, a book that was held dear in homes across early New England, and the book in which family genealogies were often saved.

Little girls learned their numbers and letters by embroidering them on Girlhood Samplers. Often, the inscriptions mention God, or prove an awareness of their own mortal fate. One kind of curious notation is “Christ is my Nation.” The word “nation” doesn’t quite seem to fit, unless one thinks of Christianity as a “nation of believers.”

The Bible was both a common and a sacred book. All other books came second. I once knew a family of Quakers who owned a dairy farm. The children were not allowed to do anything else on Sunday, except read the Bible. Of course, there is more than one version of the Bible as well as other Scriptures that are never included in the main Bible.

Jump ahead to the twentieth century. There are books galore! Everyone, famous in life, or not, writes an autobiography or about his or her war experiences. Novels are written: some great; some lousy. History is rewritten to suit the political agenda of whomever is writing the book. Books are a tool of expression and any new book competes in the marketplace with all other books, whether terrific or sub-par.

In 1985, I wrote my first draft of a book I wanted to put together on the topic of quilt care. I manually typed it on a “state of the art” typewriter, using “correction tape” to undo typing errors. Twenty years later, I published the first book on the subject as a print book. Now, almost five years later, my book on quilt and textile care is offered as an e-book. How far I have come on my personal journey of learning, and how far technology has come, as well!

Now, in 2009, I can move entire paragraphs around with the push of a few keys. I can format photos, making them the size I want, removing scratches and dings, adjusting their colorations, and formatting an entire, large book into a new entity called an “e-book” or “electronic book.” I can independently create a book, do my own layout, and choose what will be said and presented. The freedom is exhilarating!

Amazon.com sells a product called a “Kindle,” as most of you know. That device is great for downloading print books without photos that are not very long. No one has yet invented a “Kindle” that can handle color photos, nor the lengthy kind of books I produce. My e-books are sold on disc because they simply would not work as “downloads.” I could compromise and shorten the text and make the photos smaller, but I don’t want to do that. I want to provide the best I can provide for the reader.

There are a lot of reasons to like e-books on discs.

1) Navigation through the document is a breeze.

2) Thumbnail pages appear along the left side bar so that you can easily scroll and click on a previous or future page.

3) Word search is easy with a global word search function.

4) The disc is easily stored.

5) Pages can be printed. I do not disable that feature. I ask that people print one copy for their own personal use. If someone wants to cheat and break the copyright law by illegally distributing my work, I figure that’s between them and their own conscience. I don’t write book for the thieves. I write books to share good information.

6) If I were to print the same quality of information in a print format, the upfront costs of printing would be staggering, and then, I’d have the pressure of selling them to try to recoup my investment.

7) For books that share information (non-fiction), e-books are grand. I love making them and feel that I offer a high-quality product at a reasonable cost.

Patricia Cummings
Quilter’s Muse Publications – Our list of e-book offers is growing. Check the home page of our website for more details.

Material Goods and their Extended Meanings

Thursday, December 3rd, 2009

This blog entry began as a conversation over dinner about people and the way that they hoard material goods. We could not help but think of my (late) mother. She was obsessive-compulsive about what was “hers,” and worried about someone else having anything that belonged to her. She even took a permanent marker to mark her initials on her wooden hangers, the bottoms of plastic pails, and the handles of tools.

Anything that went into her house or barn stayed there. We recalled how she had purchased a tent. Eventually, it made its way out to the barn and when the task fell to my husband and I to liquidate everything on the property and to sell the farm, guess what? The tent was full of black mold and mildew and went to the landfill. Of course, we had to pay someone to haul it off, with about six large truckloads full of old magazines, egg cartons, used meat trays, broken toys, etc.

When mother had a sudden heart attack and landed in the hospital, never to return home, I found the quilt I had so lovingly-made for her, as well as two matching pillow shams, in a pile of dust bunnies on the floor of a bedroom. She always slept on the couch, and silly me, she had no need of a quilt. Funny how wooden hangers and such were more important to her than a handmade quilt from her daughter. And, so it goes. I don’t think there is a single quilt I have given to a family member that has not been totally wrecked, either through ignorance or indifference, perhaps one reason that I am offering the e-book, Straight Talk About Quilt Care II.

It is difficult to come across people who are so short-sighted that they do not want something that they perceive to be theirs to be used in any way. In so saying, I am thinking about a specific museum who has limited public access to a quilt of historic proportion because somehow, it might affect them adversely, or financially, in the future.

Now, mind you, many quilts are donated to museums by families who think that the quilt in their possession will be enjoyed, studied by scholars, and exhibited for the public. This quilt had been on display in recent months. I was told that the museum disallowed information about the quilt to a fellow researcher. This is not in the interest of good public relations, and if you think that professionals do not share information with each other, guess again.

I will not name the institution. I will just say that I just received a request for a donation (that I will not be honoring). They have lost credibility with me (and had) ever since a little situation in the 1990s, when a lie was perpetrated, just for the sake of duping the public into giving money. If I did not have that information on good authority, I would not believe it, nor be sharing this report of scurrilous, reprehensible and evil misbehavior. Shame!

Museums should be trustworthy. They cut their own throats when their representatives act poorly. I just hope that somebody, somehow, comes to their senses.

When museums alienate the quilters of today, they do so at a price of losing support. Quilters on a professional level are a tight-knit group and we support each other. No, alienating one of us is “not good.” Think about it. You know who you are.

Patricia Cummings
Quilter’s Muse Publications

“Beginning to See the Light at the End of the Tunnel”

Friday, November 20th, 2009

I could say that I have been working like a dog, but near as I can tell, dogs just look cute, slobber, and roll over. They don’t work much, unless of course, they are “working dogs.” I love dogs! A better term for what I have been doing is “working doggedly,” a quaint turn of phrase again, including the word “dog.” Hmmm … Let’s start over.

For the past three or four weeks, I have left my warm bed and husband long before the sun came up. I have returned to that place of repose, long after the sun went down. In between those two events, the computer keys have been kept warm by my constant clicking. Luckily, Jim cooked and called me to the table when he felt I needed sustenance to keep going.

What was I working on? I am doing a re-write of a book, first published in print form in 2005. I am a driven woman. So many people have asked how they could obtain a copy of my book on quilt care, now out-of-print, we decided to bring it back as a totally updated, revamped, and expanded e-book, with more photos and information than ever before.

Amazingly, just about every contact, previously listed in the first book, has either moved, died, gone out of business, is no longer an Internet presence, or no longer makes a certain product. I have scrambled to secure the correct information so that you will have the latest scoop! The phone lines have been busy!

Today, I spent quite a lot of time preparing a Table of Contents, plus subtitles for the 21 Chapters in the book. There are a few more photos I would like to add, but between Jim’s work and mine, we just about have this new item created. The e-Book will be called, Straight Talk About Quilt Care II, and will be sold on a CD that will be mailed. I love the easy built-in navigation system that Jim has installed. Makes it very easy to access any chapter. The price will be purposely reasonable so that money will not stand in the way of being able to share this great knowledge that I’ve worked so hard to collate.

This is an item that you might think about giving yourself for a gift, or definitely purchasing for a friend to whom you give one of your handmade quilts this season.
I hope you enjoy our efforts. My love of research and the blessing of having research materials on hand make a good combination. I guarantee you that you will learn information that you never knew you wanted to know!

Back to the drawing boards. Look for more information next week.

Have a terrific weekend!

Patricia Cummings, pat@quiltersmuse.com
Quilter’s Muse Publications

American Quilts: The Democratic Art, 1780-2007 – A New Book!

Saturday, November 7th, 2009

American Quilts: The Democratic Art, 1780-2007 is a book that will become a “must-have” for anyone interested in the history of quilts. Written by Robert Shaw, this heavy, hard cover volume, comprised of 376 pages was just published by Sterling Publishing of New York/London in 2009.

Surprisingly, the dustjacket features a “tied” quilt, which to some purists’ way of thinking would be called a “comforter” or a “comfort,” instead of a quilt, as it is not quilted (held together by running stitches). Nonetheless, the photo is a cheerful introduction to a book that is full of Shaw’s personal observations and thoughts about the process and history of quilting.

Amazing, full-page views of quilts are offered in this very colorful book, as well as smaller photos.

The inside book cover declares this statement:

Spanning more than four centuries, American Quilts is the first book to cover the entire historical panorama of quiltmaking in the United States, from the quintessential patterns to their cultural significance … ”

While many of the quilt photos have been published in other printed documents, and therefore, are extremely familiar to me, other quilts seem to be appear in print for the first time, in this book. It is great to have photos of these important American quilts contained within one volume.

I am especially fond of “Amigos Muertos” by Jonathan Shannon and am pleased to see that quilt included. No matter what style of quilt you prefer, from traditional to modern art quilts in America, you will most likely find examples provided. Shaw has gathered quilts from all historical time periods that will amaze you and inspire you to quilt a little faster on your own creations!

If this book were only used for a coffee table book, it would still be worth its weight in gold. However, I am sure that you will want to linger over every word of history and every point of reflection. In a discussion of “time” and “quilts,” Shaw states:

Quilts ask us to slow down, to step into their world and partake of their full and measured sense of time, to allow them to envelop us in their own languid, slowly unfolding tactile language.”

With a great deal of insight, Shaw has managed to elevate the art of quilting to a higher level. I do suspect that he had a lot of fun while compiling the information and images for this new quilt history edition. I can’t wait to read all of the words in this book and view all of the beautiful quilts. This is an exceptional work, and one to put on your holiday wish list!

The following is one of two books of which I am aware that have the same title, It’s Not a Quilt Until It’s Quilted.

Patricia Cummings
Quilter’s Muse Publications

Jubilee: The Emergence of African-American Culture – the Book

Wednesday, November 4th, 2009

cover of the book - Jubilee

The quilt block images on the cover of this book, Jubilee, are derived from a highly-valued, African-American made quilt that is now owned by the Slave Relics Museum. The Slave Relics Museum is located at 208 Carn St., Walterboro, SC 29488; telephone:
(843) 549-9130.

An African-American made quilt, formerly owned by Mr. Polk who died in 1864, was appraised by Nancy Druckman on the Antiques Roadshow program. This quilt is believed to date from 1825-1830. An estate inventory lists Polk’s slaves, as well as his household goods. Druckman set an appraisal value for the quilt at between $40,000 and $60,000, at the time she viewed it.

Roadshow Archive

The remarkable book that presents some of the quilt blocks on its cover is titled, Jubilee: The Emergence of African-American Culture – The Schomburg Center for Research in Black Culture: The New York Public Library. This hard-cover volume was published by National Geographic, Washington, D.C. and is the result of work done by Howard Dodson with Amiri Baraka, Gail Buckley, John Hope Franklin, Henry Louis Gates, Jr., Annette Gordon-Reed, and Gayraud S. Wilmore.

With 224 pages, the book follows through on its promise to chronicle “the true nature and impact of 300 years of slavery in America.” Quilters will be pleased to see Harriet Powers’ quilt included, as well as an image that depicts a slave in chains, the same one that appears on a number of 19th century quilts. The book’s ISBN number is 0-7922-6982-9 (hc)

Right now, in my home state, Dr. David Watters, an English professor at the University of New Hampshire, who has a strong interest in history, is attempting to spearhead a legislative action that would place a tribute memorial to all the former slaves in New Hampshire, as well as to document all of them. See the Concord Monitor article that describes Watters’ efforts.

They say, “Don’t judge a book by its cover.” In this case, “they” are wrong. This is a quality book, through and through, from its high level of scholarship to its fabulous photos. One feature I love about this book is that when the dust cover is removed, the outlines of all the quilt blocks appear, in Black on a lighter Black background.

Anyone who hopes to better understand African-American Culture should have a copy of this book in his or her own library. Don’t let this one get away!

Patricia Cummings
Quilter’s Muse Publications

Paper-Pieced Quilt for Autumn

Saturday, October 31st, 2009

Ever since purchasing the book, Paper Piecing the Seasons, by Stephen Seifert and Liz Schwartz, I have been a fan of their work. In April 2000, I began making a wall quilt that they call, “Country Roads Quilt.” I finished the quilt and gave it to my niece in California for her birthday in October 2000. I thought she’d enjoy the autumn scene in this quilt that I called, “Covered Bridge in Autumn.”

covered bridge in autumn

Design from the book, Paper Piecing the Seasons. Pieced by Patricia Cummings. (The photo shows this piece when it was still a quilt top, – and although you can’t tell from the photo, the quilt does have even borders).

I remember the fun I had making this quilt! Not as many landscape fabrics were available, compared to today. The hunt for the perfect fabric to represent tree colors, the stones, and other elements, was a joy!

Today, I discovered that the singular pattern for this quilt is still available at eQuiltPatterns.com, along with many other tempting designs for those who love paper piecing. To see a larger view, click here.

I have made only a few foundation pieced quilts but have always enjoyed them. This one was particularly fun as I made it with love and with the expectation and hope that it would be enjoyed by the recipient.

Whatever you do today, take joy in your work. We pass this way only once.

Patricia Cummings
Quilter’s Muse Publications

The 1911 Triangle Fire

Monday, October 19th, 2009

For those of you who are interested in mill history and factory history, please do not overlook the circumstances and results of the fire that occurred in the Triangle shirtwaist factory in New York’s Greenwich Village on March 25, 1911. As on the 9-11-2001 day that has lived in infamy, workers could be seen jumping out of the building to their deaths … better than being burned alive?

David Von Drehle wrote a book titled, Triangle: The Fire That Changed America. This book will reverberate with any reader who has immigrant factory workers in their family or who just loves the details of labor history and/or accounts with a human edge.

In all, 146 people lost their lives. You see, their workplace was on an upper level of a building, so high that the ladders of New York’s fire engines could not reach. Moreover, the workers had been “locked in” without knowing it.

Large mills in the U.S. seem to have waivered between a paternalistic attitude, initially, and a punitive one in light of labor disputes and strikes. The bottom line for any “agent” was to maximize profit for the mill owners. It was not until someone with a camera, Lewis Hines, began taking photos of children at work, and exhibiting them publicly, was awareness of the evils of child labor even noticed.

Children were a commodity on the farm … in the workplace. No matter that they died on a regular basis from emphysema, pneumonia, and cancer, after breathing in cotton linters in a completely enclosed, sealed work environment, like Slater Mill, the first industrialized cotton spinning center, set up by Samuel Slater in Pawtucket, Rhode Island. The pretty yellow building on a fast-flowing river is deceptively appealing, not belying the human devastation wreaked within the walls of the mill.

Mill settings picked the most needy of society for their workers, those without a voice: children, women and immigrants. Not much changed from the earliest mill to the shirtwaist factory tragedy of the twentieth century as you shall readily see, if you read Von Drehle’s riveting account. I read this book when it was first published in 2003 and can recommend it, without reservation.

Patricia Cummings
Quilter’s Muse Publications

New Quilt Books Announced

Wednesday, October 14th, 2009

A few new quilt books have just been announced and they are being raved about by those who have seen them at Quilt Market. I thought I’d share their titles with you.

Quilts of the Golden West by Cindy Brick is a book that has come to my attention online, in several spots, already. Apparently, one of its features is a set of patterns. I’m intrigued and can’t wait to see this one.

The second hot-off-the-press book is the much awaited one, Amish Abstractions by Joe Cunningham. The name of it is Amish Abstractions, and that is all I can say for now.

Another book in the “news” is Patchwork and Quilting, a book in English, by Larissa Denisova. The goal is to extend the awareness of quilting done in Russia today. I have no information yet on where to find this book to purchase.

Jinny Beyer has recently published a new book, The Quilter’s Album of Patchwork Patterns.

A fourth book that looks very interesting is a catalog published (or “to be published”) in the United Kingdom, titled, Quilts 1700-2010: Hidden Histories, Untold Stories by Sue Pritchard. If I find out how this item can be ordered, I will post that information here.

So many books, so little time. That is my mantra. I LOVE books! My house looks like it. So, I share this information with you, in case there are any other book lovers out there who want to be kept “up to speed.”

Patricia Cummings
Quilter’s Muse Publications