Archive for the ‘Books for Quilters’ Category

Three New Books of Interest to Quilters

Tuesday, February 9th, 2010

Three new books, offered on amazon, are worth considering for your library. The first, available now by pre-order, is Journey of Hope Quilts Inspired by Barack Obama by Carolyn Mazloomi. This books presents the images of no less than 100 quilts made in his honor. We featured some of these quilts in a previous blog, when they were first created, and they are outstanding!

Remembering Adelia: Quilts Inspired by Her Diary is the story of a 19 year old woman as told by diary excerpts that she wrote during the Civil War. This book was prepared by Kathleen Tracy.

The third book is titled, African Inspirations in Embroidery by Mary Sleigh and is described as “breathtaking textile art.”

Patricia Cummings
Quilter’s Muse Publications

Black History Month

Thursday, February 4th, 2010

February is Black History Month. This year, so far, I have not heard one person try to state once again that the so-called Secret Quilt Code is fact, not the fictional story that it, indeed, is. Has America come to its senses? One can only hope so.

Just as escaping slaves wanted to hop on the bandwagon to be hidden under blankets or whatever and thereby make an escape to “somewhere else,” so have the charlatans grabbed onto this idea of the secret quilt code of the Underground Railroad. It did not matter that it was all a falsehood. After all, it provided a way to “clean up,” for those who found it a way to capitalize on faux history.

Just dupe people into believing that they are acting in a compassionate manner and are oh-so-politically-correct. They will try to purchase just the “right” fabrics to make a “reproduction” of a quilt that never existed, and blocks that were never made for the purposes stated.

I am beginning to think that all that matters in this society is selling items based on false advertising and lies. Of course, it helps if the “big Whigs” endorse the idea.

Today, I had someone tell me that she doesn’t like books or magazines. That statement allowed me to judge the level of her ignorance with a capital “I.” Traditionally, books have been a vehicle of understanding. Take the book, “Our Nig” – yes, there is more information about it on my website, Quilter’s Muse Publications. The book is written by a mulatto woman who was an indentured servant to a well-to-do Milford, NH family who mistreated her. The life she lead was a tragedy, just as Harriet Tubman’s life was because of an injury inflicted upon her when she was hit in the head.

The hardship and suffering of African-Americans is swept under the rug, while their Caucasian counterparts make pretty quilts that have nothing to do with the escapes of Blacks, nor freedom. These same ladies, some of them, have told me that they are doing their part to save history because they love it so. For heaven’s sakes, do they read HISTORY? If they did, they might understand exactly what the “Underground Railroad” was, and if they read all of my MANY articles about why the quilt connection is an impossibility, they would not feel so self-righteous in their false pronouncements.

During Black History Month, if you want to honor African-Americans, please read more about what actually happened to them, and their roots, culture, and history. Putting a quilt together, under false pretenses, is rather silly and just proves that you are a victim of your own ignorance and the blatant capitalism that surrounds this topic. God bless the child who learns to read. A world of knowledge will open unto him. Here is a link to one of the files I wrote:

http://www.quiltersmuse.com/underground_railroad_and_quilts_blocks.htm

This is the book that started the controversy:

Patricia Cummings
Quilter’s Muse Publications

The Kindle – and Other Ways of Viewing Books Electronically

Tuesday, January 26th, 2010

Lately, I have been hearing from people who received a Kindle as a holiday gift and they are very pleased with it. The latest generation is wireless, always a good thing if you plan on reading a book at the beach. In fact, that seems to be the ideal use of a Kindle: a way to transport many possible books without having to carry them around, perfect for English teachers who utilize books without graphics or photos and where the written word is the focus.

Here is the latest amazon ad. You can see that Kindles have come down in price a great deal since they were first offered.

Over the weekend, there was a discussion on NPR about “e-books.” I responded to that feed on facebook to explain the various “e-books” there are and why there is so much confusion about them.
The word “e-book” is short for “electronic book.” In other words, the consumer needs some device by which to “read” the book.

Some people refer to “e-books” as something that can be “downloaded” to a specific computer, if a fee is paid. Those books or sometimes, short stories, do not have many graphics or photos, and usually very few pages.

An “e-book” might be offered for sale on CD, as are four of my works that used to be offered in print. There are many advantages to purchasing a disc, instead of a book. I will enumerate some of the “pluses.”

1) A disc is easily stored.
2) No one will spill coffee on the book pages.
3) No one will bend the edges of the book corners.
4) Discs can contain an extraordinary amount of information, and a great many photos (My largest e-book to date is 355 pages long and has 340 images).
5) With my e-books, the consumer who prefers to have a print version is allowed to print out a personal copy which can be coil bound at a copy shop, if desired.
6) Shipping is less costly than a comparable hard cover book, yet all of the information is retained. In fact, the book is even better! There has been no change in photo edits due to the printing process.
7) Navigation is superior, and while reading the book, Internet references cited are just a click away. One can move easily via internal links, page links, and word searches = lots of navigation.
8) All books print out to a page size of 8 1/2″ x 11.”
9) The only requirement to view the CD is to have either downloaded Adobe Reader (a free, easy-to-install software program) or that the program already be present (which it is, on most new computers).

Our four e-books, stored on CD discs, are listed on the front page of Quilter’s Muse Publications: Redwork Renaissance Revisited; Straight Talk About Quilt Care; Ellen Emeline (Hardy) Webster (1867-1950): Her Amazing Quilt “Charts,” Her Writings, and Her Life (New Hampshire’s Early Quilt Historian); and Redwork Embroidery and Needlework Traditions in Europe and America.

These books represent years of my life and careful study to create. They have been out-of-print until we recently formatted them into e-books, the only sensible thing to do. I thrill at making them available again. In revisiting these titles, I am aware of all of the original research that I did to make them the very special books that they are. I hope you will agree!

Have a lovely day!

Patricia Cummings
Quilter’s Muse Publications

Redwork Embroidery and Needlework Traditions in Europe and America e-book – Now Available

Wednesday, January 20th, 2010

CD cover

Redwork Embroidery and Needlework Traditions in Europe and America is currently available to acquire as a pdf file written to a CD disc that is easily inserted into a computer’s hard drive and read on any computer. We first published this as a wire bound book in January 2006 and received wonderful reviews at that time. There are 147 pages and 165 images (including photos of finished items and design patterns that you could re-create with needle and thread).

This book covers a wide variety of topics related to Redwork motifs and their usage in the 19th and 20th centuries.

Please visit the home page of our website for more details.

Patricia Lynne Grace Cummings and James G. Cummings
Quilter’s Muse Publications
Concord, New Hampshire
http://www.quiltersmuse.com

Thanking Our Troops: God Bless America Touring Quilts, a book by Judy Howard

Sunday, January 17th, 2010

Thanking Our Troops: God Bless America Touring Quilts put together by Judy Howard is a heartwarming reflection on the many quilts and quilt initiatives that have resulted in the gift of quilts to wounded veterans and has resulted in several displays in Bagdad that many of those currently serving in the Armed Forces have enjoyed viewing.

Throughout the large paperback book, color photos of quilts that honor the service of our military, as well as our core values of patriotism, faith, and courage, are present. Judy’s touring exhibit calls for quilts that are 22″ x 22″ and she explained that this size is easiest to pack. Groups are welcome to rent an exhibit of the quilts for only $100., in conjunction with a quilt show. The back cover of her book states: “All book and exhibit profits go for quilts for wounded troops and families of our fallen heroes.”

These quilts prove that any of us can make a difference, even to people whom we do not know. The quilts exude love of country and feature flags, eagles, planes, the first Man on the Moon, a reenactment of raising the American flag on Iwo Jima, crossed muskets, and a pictorial tribute, to name a few examples of motif styles.

A story accompanies each quilt and is punctuated with a Biblical passage, not a surprising element when one considers that Judy is a graduate of Oklahoma Baptist University.

Quantity discounts are available for fundraising by guilds. The suggested retail price of her 90 page book is $19.95. Judy Howard is the owner of Buckboard Quilts, a shop in Oklahoma that specializes in vending antique quilts. Judy is available to speak to groups.

For more information about her other books, activities, and opportunities to participate in making quilts for charitable causes, call her at (405) 751-3885, or e-mail:
BuckboardQuilts@cox.net, or wirte to Judy Howard, Dorcas Publishing, 12101 N. MacArthur #137, Oklahoma City, OK 73162

We commend all of those quilters who have participated with Judy in bringing her idea to fruition. The book is a lovely tribute to our troops and has succeeded in what it set out to accomplish. Congratulations to all, and blessings to those who have reached out beyond themselves to create this lasting visual memento through the sharing of their quilts.

**SEE the COMMENT section: Judy Howard has now added a quilt application form there.**

Patricia L. Cummings
Quilter’s Muse Publications

Quilt Historian/Appraiser Endorses our new e-book: Straight Talk About Quilt Care II

Saturday, January 16th, 2010

Beth Davis of Rush, New York, a certified quilt appraiser and member of PAAQT, sent the following review of our latest e-book publishing effort.

Patricia Cummings has just revised her book Straight Talk About Quilt Care (originally available in print form in 2005). There are only a few books on this subject but this is one of the best! She has updated the information and research resources in what was already a valuable and one of the most complete guides for quilt care and restoration. The book now has 124 pages. Pat focuses not only on quilts, but also other textiles (of both natural and man-made fibers) with some practical techniques to gently clean and properly store your treasured quilts interspersed with a few humorous stories to get the points across. There is an interview with a quilt restorer, with before and after pictures of damaged quilts. The colored “tips” boxes highlight pertinent information. The data in the document can be quickly searched by simply typing in a keyword in ‘Find’ in the Toolbar and the Table of Contents is linked to the corresponding chapters. Whether you are interested in repairing or if you simply want to learn more about the quilts you have, this e-book is perfect for your library.

Thank you for this overview, Beth. We are so happy that you enjoyed Straight Talk About Quilt Care II.

Beth Davis at her booth

Beth Davis, an active quilt historian, appraiser, and one who loves old textiles, often sets up a booth such as this one (2007), to share her knowledge of antiques and tips about quilt care.

Beth holding her book

(Elizabeth) or Beth Davis, as known by friends, wrote a book about the quilts of the Genesee Country Village and Museum. She is demonstrates hand quilting when the museum is open. Her book, A Stitch in Time, is still available at the museum shop.

You will find Straight Talk About Quilt Care II to purchase, only at Quilter’s Muse Publications. We carefully produce each book, as orders come in, insuring that you are not buying a shop worn or scratched CD. In these inflationary times, we wanted to offer a very useful and complete tool for the understanding of quilt and textile care, and do so at an affordable price. Please visit our Products Available page to order via Paypal or to view other payment options. This is not a download. The physical CD will be mailed to your residence. If you prefer the written word, you may print out one copy of this book for your personal use. I think you will enjoy the navigational abilities of an e-book, the way we have formulated it.

Thanks again, Beth, for your kind words about our new book.

Patricia Lynne Grace Cummings (writer), and James Cummings (photographer)
Quilter’s Muse Publications

Leaving Gee’s Bend – a Book Review

Saturday, January 9th, 2010

Leaving Gee’s Bend by Irene Latham tells the story of a ten year old girl who leaves her home town of Gee’s Bend to seek medical help for her very ill mother. The year is 1932, when Ludelphia Bennett, an African American girl, sallies forth on her mission, hoping that her mother will not die before she can be seen by a doctor. The book, although geared toward ages 8-12, is a very enjoyable read for adults. The young girl faces obstacles along the way but she overcomes them all. This is a fictional work, 240 pages, and is published by G.P. Putnam’s Sons: ISBN 978-0-399-25179-5

I read this book, cover to cover, and enjoyed it last summer when it was sent to me in an advance uncorrected galley form. The first date of publication was January 7, 2010, so you see, I had to wait all this time to tell you about it. I hope that Irene Latham has more books “in the works.” This one is certainly worthwhile.

From the back cover:

… “Ludelphia weathers each challenge in a way that would make mama proud, including documenting her journey-her story- in a new quilt for Mama as she goes along. In the end, Ludelphia’s courageous adventure saves the day for Mama and all of Gee’s Bend.”

Mistakes in Print: Be Aware

Tuesday, January 5th, 2010

Tonight, at 10:28 p.m., I have been thinking about the power of the printed word and how it stays with us, even if/when it is not true. A few weeks ago, I made an outrageous statement that irritated a few people who belong to a certain list. I simply stated that I do not read historical novels because I don’t want to “pollute” my mind. My intention was clear cut. I was not putting down the reading selections of anyone else. It was an “I” statement. I only want to read history that is actually true. In the past, I certainly have enjoyed historical novels, especially one of the most famous ones, Gone with the Wind, which I read in high school and saw the movie about the same time.

It is a challenge to read and to write history. Sometimes, it is not what we say, but what we leave out, that make what we have said an incorrect statement. As history gets rewritten, it often becomes wrong and the intent of the original writer is lost in the rewriting of a story. That is partially due to the loss of infused meanings due to the manner of speech alignments and patterning. In other words, how one states something is as important as what is said. In speaking out loud with each other, we can infer the emotional state of the speaker by listening to verbal clues such as loudness of speech, its rapidity, and we can see other non-verbal cues such as waving one’s hands in the air, making a fist, or turning red in the face. We don’t have the advantage of visual clues in the written word.

The main reason I am considering this subject of history and how it is imparted is that I am recalling many mistakes that have been made in books and magazine articles about quilt history, for nearly 100 years. Mistakes continue today. One recurring one surrounds the idea that quilting started in the United States, and in colonial times, and that it began with colonists cutting up their tattered garments to make quilts out of used clothing. Nothing could be further from the truth.

In my latest e-book, Straight Talk About Quilt Care II, I speak about the earliest extant examples of quilts. They were not pieced, any more than the few quilts made during the colonial period in America were, a period that ended, ostensibly, in 1776, when America became a country. A certain writer claims that pieced blocks have their roots in colonial America. It would be a stretch for anyone to prove that point. Wholecloth quilts, either brought with the colonists, or made here, ruled the day during the time period we consider to be colonial times.

The trouble with people getting information “wrong,” is that students and researchers often access the writings of those who have previously investigated a subject. In gathering “facts” from books, they simply repeat the same mistakes, over and over and over again. That is one reason why the Underground Railroad Secret Quilt Code continues to be promoted in some circles. A lot of advertising was given to the false concept. A certain historian credits Raymond Dobard, Jr., Ph.D. with being the first to publish a book about the “code.” That is not true either.

If you recall, the idea of a secret quilt code to assist escaping slaves was first promoted in a fictional book for children in 1982. (Files on my website describe the whole situation). As far as I know, I was the first to create an illustrated description and explanation of why the quilt code did not add up, providing examples of each purported quilt block in the code, even if I had to create the quilt block myself. Initially, that article, a 4,000 word essay, was printed in a newspaper. Later, I wrote two more articles for The Quilter magazine, and NeedleArts magazine offered their readers a 10 page summary, based on my initial article. As far as I know, my newspaper disputation was the first in print for a mainstream America audience.

Recently, I was told that there is a great deal of pressure to bring academic writings to the point of publication. For that reason, sometimes work is not as thorough or exact as it could be. I could continue pointing out errors printed in books, etc., but I will not.

If you are a writer, please pay attention. Do not take anything for granted, or write it down because you “assume” it to be true. Please be more careful and check your facts, because in the long run, more damage will be done if you get it wrong. Remember this: If you don’t know something, it is not a sin to ask someone who does know, or to do more research. In the cases cited above, a simple visit to my website would have cleared up some misinformation before it made its way into gigantic tomes of the “latest” books on quilt history.

Patricia Cummings
Quilter’s Muse Publications

The Quilter’s Album of Patchwork Patterns by Jinny Beyer: A Book Review

Saturday, December 26th, 2009

A Book Review by Patricia Cummings

I did not weigh the new volume of quilt designs, The Quilter’s Album of Patchwork Patterns, offered by Jinny Beyer, but I can see that my mailman was walking a little more slumped over, after delivering it. The 1 1/2″ thick book with 488 pages offers 4050 unique pieced quilt patterns with their first published names. The author has taken the time of show each block in color, using her own fabric lines, it seems. She describes the gridwork on which each is based, making it easy for a quilter to re-create blocks in any size by understanding how they are composed.

I own her first book, The Quilter’s Album of blocks & Borders that featured 532 pieced blocks and 212 pieced borders and was printed in 1980. She has come a long way since then! This book and all of its carefully-researched documentation would be an invaluable resource for any quilter, appraiser, librarian or other quilt aficionado. The layout is easy to use, and the blocks are graphically-attractive with choices of colors that only an expert in color, like Jinny, could implement.

With so many other pattern identification books in my own library, I wondered if I should take a chance on purchasing this book. I can truthfully tell you that I am so glad I did! I am sure that it is a reference book that I will turn to, again and again. The book has just now become available on amazon. At $32.97, it qualifies for free super shipping.

E-books

Tuesday, December 8th, 2009

On a certain list of which I am a member, there has been a discussion ongoing for the last few days. This evening, I sent this letter that has not yet made it past the list administrator. The message bears repeating for those of you not on that list who would never see it anyhow.

I said,

The trouble with “e-books” is that the term means something different to everyone. Some people equate them with books read on a Kindle or some other, small and expensive machine with a small screen, in black and white.

To me, e-book (electronic book) means a full-length book with many large, color photos, that has been well-researched, and prints out on regular 8 1/2″ x 11″ typing paper. The consumer can print one page, or 125 pages, or 355 pages, etc.

The pages have been converted to a pdf document and that is why the computer that is used to “read” it, must have Adobe Reader software. Most all PCs have that already installed today, but if you have an ancient model, then it is simple enough for even the most computer-illiterate person to download the latest version of Adobe software.

I love e-book publishing. If I put a comma in the wrong place, or if someone I have interviewed requests a change in a quote, I can just go to the original document, make the change, and generate a brand new pdf from which to burn future discs. If the typo was in a print book, it would last forever, in all 10,000 copies, or whatever the run was.

I make sure, to the best of my knowledge, that everything I present in writing is 100% correct. I like to be my own “vetting” committee, and I would not like major changes to a work that I have toiled so hard to round up all the facts to present the total picture.

Since the mid-1980s, I have been quilting. Moreover, I have collected every quilt book I have ever come across. I don’t need another pattern. In fact, when I think about re-creating anyone else’s work these days, I think again and then put on my thinking cap to create a unique design of my own.

When one is a beginner, one emulates others. When one is advanced, he/she has the skills and freedom to make a quilt of his/her own. So, for me, the addition of quilt patterns and nauseating how-to instructions for quilting, in quilt books I might buy today, are a waste of paper and a waste of my time. If there was a pattern I truly felt I wanted to re-create, I’d draft it myself.

To make this message a little longer, I just heard from another person who has my new quilt care book that is greatly expanded. She loves the e-book format and the left side bar that has thumbnail views of all the pages.

She loves being able to click on chapter headings to go directly to the chapter, and she loves the word search function. She had read the print version from 2005 and said that with all the additional photos, graphics and content in the 2009 e-book, Straight Talk About Quilt Care II, it is the difference of night and day, according to her.

Books, traditionally, were considered to be 100 pages or more. Many of the “books” published today are so thin, they disappear on my bookshelves, never to see the light of day again. Without a “perfect binding” that carries a title, they are simply lost.

There are lots of reasons to like traditional books, and many reasons why I will never publish anything but e-books again. I can include all the information I want without being worried about somebody’s bottom line, financially. I can be my own “print on demand” publisher, and I can have control over my own work. For an independent Yankee, like me, those features are a draw. In fact, now that I’ve seen Paradise, I’d never go back to the ghetto.

Patricia Cummings, author of three unique e-books
Quilter’s Muse Publications