Archive for the ‘Announcements’ Category

Upcoming Programs and News from the Madison (NH) Historical Society

Thursday, July 22nd, 2010

July 22, 2010 – PRESS RELEASE

MADISON HISTORICAL SOCIETY PRESENTS “BUNDLES, GUT ROBBERS AND BEANS EVERLASTING” BY DICK FORTIN, THURSDAY, AUGUST 19, 2010, 7PM.

The Madison Historical Society presents “Bundles, Gut Robbers and Beans Everlasting” by Dick Fortin, on Thursday evening, August 19, 2010 at 7pm at the MHS Building at the corner of Village Road (Route 113) and East Madison Road. The program is free and open to the public. Donations are gratefully accepted, and refreshments are served.

What was life like in the 1800 lumber camps? Who were these men who worked from sun up to sun down in this back breaking and dangerous occupation? “Bundles, Gut-robbers, and Beans Everlasting” includes a slide presentation and storytelling depicting the daily routines, the food the men ate and the antics of the 19th century logger. Tales of some of the more colorful characters will be told using lumberjack lingo and lumbermen songs.

MADISON HISTORICAL SOCIETY PRESENTS “RANGER COMPANIES OF COLONIAL NEW ENGLAND” BY ADAM AND MARY SPENCER, THURSDAY, SEPTEMBER 16, 2010, 7PM.

The Madison Historical Society presents “Ranger Companies of Colonial New England” by Adam and Mary Spencer, on Thursday evening, September 16, 2010 at 7pm at the MHS Building at the corner of Village Road (Route 113) and East Madison Road. The program is free and open to the public. Donations are gratefully accepted, and refreshments are served.

The program is a wonderful presentation about units such as Roger’s Rangers and more during the period of King Philip’s War in New England, (c. 1670) through the French and Indian War, (c. 1750s). Ranger companies of this period were the forerunner of what we now know of as ‘special forces’. This intriguing program too has garnered rave reviews to packed houses! Although not specifically about firearms, Adam Spencer brings many objects pertinent to the program such as a musket, tomahawk, clothing and accessories of these fighting men of the colonial period. He comes dressed in 1740-50′s clothing as well.

MADISON HISTORICAL SOCIETY REACHES BENCH MARK FOR IT’S BUILDING RESTORATION FUND.

The Madison Historical Society is engaged in a ten year plan to restore it’s building located at the corner of Village Road (Route 113) and East Madison Road. The Executive Board is pleased to announce that an important bench mark has been reached since, to date, $25,000 has been raised for the Building Restoration Fund. This amount, combined with funds from the Town of Madison, will assist the organization in taking on its first major project, the renovation of the building’s foundation, scheduled for completion in 2011. Presently, the Executive Board is working on obtaining a detailed plan to move the building onto a new foundation approximately 6 feet away from the present location. The plan will address drainage issues and provide additional work and storage space. The foundation relocation will also give the MHS greater accessibility to the northern most property line.

The Building Restoration Fund was established in January 2007, and each year it receives a growing number of donations from members and the general public. Donors choose to designate their gifts toward the restoration of one of the Town’s most historic buildings, which once served as the Town School and Town Hall. The organization keeps these contributions separate from it general operating fund, whose income is generated from participation in the Old Home Week Craft Fair, the Blueberry Festival, the Madison School PTO Christmas Craft Fair, general museum sales and memberships.

White Mountains view

The White Mountains of New Hampshire have inspired many a painter and photographer. This photo was taken in the autumn by James Cummings, several years ago.

Over the past two years, donations to the Building Restoration Fund have also come through the sale of the book, Visions from a White Mountain Palette, The Life and Times of Charles A. Hunt, by Roy Bubb, a MHS member and museum docent. The book is available for purchase for $30 by sending a check with your request to the Madison Historical Society P.O. Box 505, Madison, NH 03849. In 2008, the MHS established an annual spring Flea Market, whose proceeds also go into the restoration coffers. The event was recently held on May 22, 2010 at the Madison Fire Station, and sincere thanks are extended to Chief Rick Judkins, Deputy Chief Richard Clark, and the volunteer firemen for opening their facility to our organization and for all their extra help. The Flea Market and Bake Sale generated over $300 toward the fund, and the MHS thanks those who rented space and tables as well as those who contributed baked goods.

The MHS building got a much needed face lift last spring. New fencing was installed which accentuates the old granite posts. The building was also been freshly painted. A few of the back windows needed replacing, many were re-glazed, and all were cleaned. On the inside, we placed the glass doors on most of our exhibit cases. The MHS invites you to attend an upcoming program, and take a look at the improvements. The organization welcomes new members You do not have to be a Madison resident, and visitors to the MWV are welcome to join as well. Support a worthy cause to preserve local history, and for a fair price, receive our quarterly newsletter, containing topics of historical interest.

Save the date for these additional events during Madison Old Home Week, August 7- 15, 2010:

MHS Blueberry Fest, August 8, 2010, 6-7pm.

MHS Museum Open House, August 10, 2010, 2-4pm.

For more information, contact:

Robin M. Tagliaferri
Publicity Secretary
Madison Historical Society
PO Box 505
Madison, NH 03849
(603) 662- 8158
ferreirarobin@yahoo.com
http://madisonhistorical.us/

This announcement is brought to you courtesy of Quilter’s Muse Publications

World War II Quilts: A New Book by Sue Reich

Tuesday, July 20th, 2010

The colors of Red, White and Blue are predominant in the new, patriotic book by Sue Reich that honors the textiles made during the most astounding war… ever! The author provides dozen of quilt examples, photos of ephemera, and photos of individuals to accompany the marvelous text she shares. Individual fabrics, close-ups of old quilts, and poetry add to the mix of images. Very unique items are included, such as the embroidered record of Aldora Howe’s son’s service in the Coast Guard, during World War II. This large quilt measures no less than 75″ x 100.”

There is no doubt about it. The mothers and sweethearts that stayed at home cheered the “boys” with letters and packages, while doing the work of the men, in factory jobs they’d left behind. This hardcover book, published by Schiffer Publishing in 2010, is a charming look at a variety of textiles, not just cotton quilts. War was on the minds of all who lived through that period. Who could escape it? Service banners were hung to demonstrate that one or more “stars” (sons) were serving in the Armed Services.

The first thing I noticed about the book is that it can be considered “eye-candy,” yet, in delving into it, one can readily see that it represents a whole lot more than just pretty pictures. If you want to understand the War a little bit better, acquire this book as a permanent record of some of the ways that patriotism and love were expressed via textiles. This book was worth the wait!

Patricia Cummings
Quilter’s Muse Publications

“Ugly Quilts”: Quilting for a Purpose

Tuesday, July 20th, 2010

A few years ago, when a friend invited me along to another friend’s home to work on “Ugly Quilts,” I was taken back by the term and wondered why anyone would want to make an “ugly” quilt. I soon learned that the name represents quilts made of this and that, including old tee-shirts, curtains, bedspreads, drapes, old ties, and leftovers from quilting projects, as well as leftover batting and blankets. No textile is value-less in this project. It is a good way to recycle AND aid a homeless person at the same time. You see, these textiles are assembled and tied together to make sleeping bags, ugly enough so that they have no resale value (so they won’t be stolen to sell for money), but warm enough to shelter someone from the cold.

Even if you are not interested in assembling a quilt of this kind yourself, there are ways you can help. The obvious way is by donating money to buy the toiletries and warm socks that are stuffed within the quilt. Another is by sending old ties to the organization that can be used to “tie up” the sleeping bag during the day.

For more information, just Google “Ugly Quilts” or visit: http://www.uglyquilts.org/ or http://www.reese.org/sharon/uglypict.htm Alternately, you can start an “Ugly Quilt” group in your own community.

The homeless are the most forgotten of our society, until they become a nuisance of some kind. In my own community, last winter they hung out at the public library, dozing in the chairs, and trying to stay warm, at least during the day. Quilters are always trying to find ways to help others, and this would be a nice program idea for guilds. Quilters make neo-natal quilts for hospitals, to place over neo-natal units to block light from the sensitive eyes of newborns. They make wall quilts and bed quilts for hospital wards, and quilts to brighten nursing homes. There is always a greater “need” for quilts and there are always spots that can be brightened by the work of our needles, but let’s not forget the least powerful among us, those who are just happy to keep from freezing when the weather turns cold. “My Brother’s Keeper” program has come up with at least one solution.

God Bless!

Patricia Cummings
Quilter’s Muse Publications

Michigan State University Acquires Cuesta Benberry Collection; Symposium Scheduled

Monday, July 19th, 2010

JULY 19, 2010

PRESS RELEASE

CONTACT: Lora Helou (helou@msu.edu), Communications Manager, Michigan
State University Museum, 517-432-3357

MSU MUSEUM SYMPOSIUM CONNECTS COLLECTIONS, RESEARCH AND QUILT HISTORY

MSU MUSEUM, EAST LANSING, MICH. — Michigan State University Museum
announces a major event this fall: “Unpacking Collections: The Legacy
of Cuesta Benberry and a Symposium on Using Quilt History
Collections, ” to explore the connections between using collections in
making or studying quilts.

The symposium is set for Oct. 8-10, 2010 in East Lansing, Mich., and
is planned in conjunction with an exhibition that showcases examples
of materials from the Cuesta Benberry Quilt History Collections that
were recently acquired by the MSU Museum.

Scholars and creative artists use private and public collections of
objects and archival materials to inform their work. What do they
collect? Where do they find collections and how exactly do they use
them? What do they do with the collections when they are done? How
have they been inspired by collections? What obstacles do they
encounter when building or using collections? These questions and
more will be explored in the MSU Museum symposium.

“We were wonderfully surprised and honored that Cuesta Benberry’s
collections have come to the Michigan State University Museum,” says
Marsha MacDowell, MSU Museum curator and MSU professor of art and art
history. “Research-based collections like hers are critical to still
under-studied but important aspects of quilt history and of African
American art and cultural history. We know that this collection of
primary materials will enable scholars here on campus and around the
world to benefit from Cuesta’s trail-blazing work and to carry it
forward. Her collections and others held at the MSU Museum allow us
also to examine the importance of building and using collections in
creative, scholarly, and educational ways,” she adds.

To download the symposium brochure and to register by mail or online,
go to: http://museum. msu.edu/Events/ cbsymposium/

Noted individuals who have used collections in their scholarly and
creative work and will speak at the symposium include Lauren Cross,
Kyra Hicks, Carolyn Mazloomi, Patricia Turner,and Merikay Waldvogel.
In addition there will be a showing of Cross’s film The Skin Quilt
Project film, book sales, author book signings, and an information
session on using The Quilt Index (www.quiltindex. org); “Sit and
Stitch” with quiltmakers and “Sit and Share Collections” with quilt
history collectors; and a reunion of participants in the African
American Quiltmaking in Michigan Project. Optional symposium package
add-on activities include “Behind the Scenes” tours of the MSU Museum
African American and African Quilt Collections and an opportunity to
have your quilt documented for the Michigan Quilt Project/The Quilt
Index.

Self-guided tours of the exhibition Unpacking Collections: The Legacy
of Cuesta Benberry, An African American Quilt Scholar, and the
concurrent Dear Mr. Mandela, Dear Mrs. Parks: Children’s Letters,
Global Lessons (an exhibition produced by the Nelson Mandela Museum
and the Michigan State University Museum in collaboration with the
Keeper of the Word Foundation) will also be available.

Members of the Great Lakes African American Quilt Network, the
Lansing Sisters in Stitches, and Flint African American Quilt Guild
will serve as volunteer hosts and will have information on their
organizations.

The symposium is being organized by the Michigan State University
Museum and has been supported by a major grant from the Salser Family
Foundation with additional support from the MSU Museum Studies
Program, MSU Department of Art and Art History, MSU Women’s Resource
Center, African and African American Studies Program, MSU Office for
Inclusion and Intercultural Initiatives, and the MSU Residential
College of Art and Humanities.

For more information about the exhibition, visit
http://museum.msu.edu/Exhibitions/Current/TheLegacyofCuestaBenberry. html

The Great Lakes Quilt Center at the Michigan State University Museum
Michigan State University Museum’s Great Lakes Quilt Center continues
the Michigan Quilt Project documentation project, initiated in 1985;
has completed major documentation projects on Michigan
African-American quiltmaking and North American Indian quiltmaking;
is currently engaged in a documentation project on South African
quiltmaking; has a collection of over 700 quilts, a strong collection
of quiltmaking ephemera, and a library of over 2000 quilt-related
publications; and regularly mounts and tours exhibitions of quilts.
Michigan State University Museum partners with the Alliance for
American Quilts and MATRIX: Center for Humane Arts, Letters, and
Social Sciences Online to lead the development of The Quilt Index
(www.quiltindex.org) and Quilt Treasures
(www.centerforthequilt.org/treasures). For more information about the
collections and programs of the center, go to
http://www.museummsu.edu/glqc/

The Michigan State University Museum
The MSU Museum is Michigan’s natural science and culture museum and
the state’s first Smithsonian Institution affiliate. The MSU Museum
– accredited by the American Association of Museums — collects,
preserves, studies and interprets cultural artifacts and natural
history specimens, with collections numbering more than 1 million in
four buildings on the MSU campus. The MSU Museum is committed to
education, exhibitions, research and the building and stewardship of
collections that focus on Michigan and its relationship to the Great
Lakes and the world beyond. Learn more at: http://museum. msu.edu

Arts and culture at MSU
Arts and culture at MSU play a critical role in nurturing the human
spirit while contributing to a richer quality of life. Museums,
galleries, and gardens along with libraries, historic sites, and
performance spaces provide a catalyst for cultural exchange of
diverse ideas and inspirations. At the same time, audiences on
campus and around the world take advantage of academic and research
outreach programs such as public broadcasting, online resources, and
publications. Find out more at http://artsandculture.msu.edu.

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This announcement is brought to you as a courtesy of Quilter’s Muse Publications.

Old Sturbridge Village Museum Opens Needlework Exhibit on August 14

Wednesday, July 7th, 2010

Old Sturbridge Village Museum in beautiful Sturbridge, Massachusetts has announced the following news item, of interest to those who love old Samplers and Needlework.

This year’s Textile Weekend celebrates the intricate artwork of 19th-century needlework, with displays and demonstrations of white-work embroidery, samplers, and more. Village historians will host gallery tours of the new needlework exhibit featuring artifacts from the OSV collection: “The Labour of My Youthful Hands.” Learn more at their website: http://www.osv.org/

Correcting the Record… This is Getting Old!

Saturday, July 3rd, 2010

Dear Friends,

For those who care, and I am sure that many of you DO NOT CARE, let me reiterate that Ellen Webster, New Hampshire’s early quilt historian, did not travel far and wide to collect quilt patterns. In fact, contrary to the following statement that can STILL be found on the New Hampshire Historical Society’s website, Ellen Webster reproduced quilt patterns on her charts that were from quilts found in her travels to Vermont, Massachusetts and within New Hampshire.

The NHHS site says this: “She found most of the patterns in New Hampshire and Massachusetts, but also collected them during travels across the rest of New England, New York, Illinois, South Dakota, and Virginia.” The names of these states are mentioned on her charts.

At the time that Ellen Webster was collecting patterns, she was a judge at Storrowton and Eastern States Exposition and so, had access to prize-winning antique quilts from New York, Illinois, South Dakota and Virginia.

As a widow, Ellen was age 65 when she actively began making her quilt charts. Keep in mind that it was also the Great Depression, and she was caring for family members who boarded with her. She also had a heart problem and financial concerns. While she had traveled to the Holy Land and to California, in part by stagecoach, earlier in her life, she did not stray beyond New England in her later years.

I had called this error to the attention of the New Hampshire Historical Society but was told that since it had been part of a press release that already went out, the error could not be corrected.*

I guess I am just a real stickler for details. I insist on calling Ellen by her name of Ellen, and not “Emily” or “Helen” as others have falsely reported her name to be. But, my friends, the rampant errors have not ended there. To see a very “insightful” title of a talk, just visit the International Quilt Study Center, Symposium 2007, that describes a talk about Ellen Webster called: “Patterns and Insight: The Work of Emily Webster.” Very bright! Very scholarly. NOT!

I sound like a broken record…even to myself. I have tried very hard to let people know that errors have been made and have asked that they be corrected, most often to no avail. Apparently, I am the only one involved who cares about presenting the correct facts to the public. Everyone else is too busy trying to save face, or cover their own or someone else’s butt. Sad, indeed.

I am struck by the lack of scholarship or responsibility from people and institutions who are charged with presenting the truth, which should include updates to their misconceptions, as needed.

These kinds of continuing errors make me want to withdraw my financial support of certain institutions in question.

All I can say is, if you want the true facts, “Read my book!”

Amen.

*Update: As of July 6, 2010, the Assistant Director of the NH Historical Society has amended the false statement that previously appeared on their website. Wonderful!

Patricia Cummings, author of Ellen Emeline (Hardy) Webster (1867-1950): Her Amazing Quilt “Charts,” Her Writings and Her Life
Quilter’s Muse Publications

Antique Shops Listen Up!

Friday, July 2nd, 2010

Today, we went out of town to a few antique shops in different towns that we have enjoyed browsing through, in the past. The first shop, Antiques Gallery of Franklin, is shut down for good. The space is offered for lease. The second shop we visited was finally open for the season, and I was able to look at the offerings on the first floor of three levels. I spent a total of $15.00 for some small items, and Jim was surprised that I did not want to browse further.

Business owners should pay attention to the comfort of their customers and not GLEEFULLY announce that they have no public restroom, particularly when the business is situated in the boonies and the alternative choice is perhaps finding a bush!

There was no one else in the shop. The owner had to fill out three different forms for the three different dealers who offered the merchandise I bought. I felt sorry for him. It’s a tough life and business is bad, all the way around.

I would have happily shopped on, but well… I couldn’t!

This kind of situation has happened before. In one case, I was told that I could “just” drive about five miles down the road to the nearest Dunkin’ Donuts. In another case, it was suggested that I drive over the state line to find the nearest restaurant. This is unacceptable. In the future, I will not plan to shop at ANY antique shops that do not offer rest facilities. Really, “TP” cannot be that expensive, considering that, in each case, I would have shopped more, given the chance.

Wise up, antique shop owners! You can be smug, or you can be hateful, but in the end, YOU will be the losers! Of course, I realize that this message will not reach its intended destination. I’m told that antique shop owners and many of their shoppers are ignorant and don’t know how to even turn on a computer. (I was actually told this by a shop owner!) Oh, well! Maybe someone will pass the word along. One can only hope!

Patricia Cummings
Quilter’s Muse Publications

New England Quilt Museum to Open New Exhibit on Broderie Perse/ Opening Reception on July 17

Thursday, July 1st, 2010

From the New England Quilt Museum’s newsletter:

Opening Reception for Contemporary Broderie Perse: An Elegant Revival

July 17, 1 pm

Join us for the opening reception for our major summer exhibition, featuring modern-day interpretations of some of the most detailed, finely wrought quilts in the American tradition. Combining collage, fine appliqué, and fine quilting, Broderie perse, also known as cut-out chintz appliqué, presents a high point in the art of quilting and deserves the admiration and attention of all who appreciate fine needlework.

tree of life quilt by Barbara W. Barber

Tree of Life quilt by Barbara W. Barber

The technique emerged in the late eighteenth century when chintz fabrics were very expensive and only the very wealthy could afford whole cloth bed coverings made from large pieces of chintz. By cutting motifs out of a small amount of fabric, the quilter could rearrange them onto a large field of inexpensive plain cotton to imitate the designs on larger fabrics. Plain cream or white fields filled by fine quilting surround the trees, floral sprays, wreaths, urns, birds, and baskets appliquéd with tiny whip, buttonhole, or reverse buttonhole stitches.

The style, which was very popular in the Middle Atlantic states and the South into the 1840s, largely disappeared after the 1850s. The exhibition presents 30 contemporary Broderie perse quilts and several antique examples in order to familiarize viewers with the style and its history. The reception features a talk by guest curator Anita B. Loscalzo on the history of Broderie perse techniques. Support for this exhibition is provided in part by Marcus Textiles.

Announcement brought to you courtesy of Quilter’s Muse Publications

Colonial Williamsburg Opens Quilt Exhibit

Monday, June 28th, 2010

Colonial Williamsburg has set up a display of fifteen historic quilts at their Abby Aldrich Rockefeller Folk Art Museum. One of the quilts is an unfinished Crazy Quilt made in 1886 for Reverend Oliver W. Winchester, a departing Presbyterian minister of Reedsburg, Wisconsin. All of the twenty makers of the quilt are known, so the quilt was chosen not only for its fine workmanship, but also for its provenance.

Also shown in the exhibit are a fund raising quilt for a school in New York; a crib quilt made in Virginia, and twentieth-century quilts made in Alabama. “All tell stories about people and events of the past.”

This sounds like a wonderful exhibit. If anyone is in the area this summer, I urge you to visit this exhibit!

Information extracted from Colonial Williamsburg: The Journal of the Colonial Williamsburg Foundation, Spring 2010.

This announcement brought to you courtesy of Quilter’s Muse Publications

24th Annual Quilt Exhibition Announced for Billings Farm & Museum

Thursday, June 24th, 2010

Press Release from Susan Plump, Public Relations Director

Billings Farm & Museum Highlights: Opening Weekend of 24th Annual Quilt Exhibition

WOODSTOCK, VERMONT… Billings Farm & Museum, gateway to Vermont’s rural heritage, will host its 24th Annual Quilt Exhibition from July 31 – September 26, 2010. Opening Weekend, July 31 – August 1, will feature quilting programs, an informal workshop for beginning quilters, plus activities for all ages. The exhibit will feature more than 50 quilts made by today’s quilters of Windsor County, plus quilting activities and demonstrations for every age and skill level. Many of the quilters will be on hand to discuss their work.

This year, the Farm & Museum was selected by the Vermont Crafts Council as one of several satellites throughout the state to showcase an element of craft history in their State of Craft project. The Quilt Exhibition will feature a “quilt challenge” entitled Finding Common Threads: Historical Inspiration and Modern Interpretations. Two 19th century quilts from the museum’s collection served as the inspiration for members of the Heart of the Land Quilter’s Guild to create designs of their own – following specific design and construction rules agreed upon by the guild. The historic quilts and the work of the Guild members will be featured.

Quilts have been a part of American rural life for over 300 years. They are colorful testimony to the fact that farm life, while sometimes austere, held celebration. The women who settled in Vermont during the late 18th century brought with them the hand skills, thrift, imagination, and traditional designs which would develop into a peculiarly American art form: the patchwork quilt.

Today’s Vermont quilters carry on a continuing and evolving tradition. Much of the contemporary work of Windsor County quilters is composed of patterns handed down from earlier generations and executed by hand; some adapt the traditional craft to more modern expressions and materials. All require skill, patience, and imagination.

Admission to Billings Farm & Museum’s 24th Annual Quilt Exhibition includes the operating dairy farm, orientation and farm life exhibits, the restored and furnished 1890 Farm House, plus daily programs and activities.

The Billings Farm & Museum is owned and operated by The Woodstock Foundation Inc., a charitable non-profit institution founded by Mary French and Laurance Spelman Rockefeller. For further information: 802/457-2355 or www.billingsfarm.org.

Billings Farm is an operating Jersey dairy farm that continues a century-long tradition of agricultural excellence and offers farm programs and historical exhibits that explore Vermont’s rural heritage and values. Since opening to the public in 1983, the Farm & Museum has served as a gateway to Vermont’s rural heritage for over a million visitors and 100,000 of the region’s school children. Open daily May 1 through October 31, 10:00 a.m. to 5:00 p.m. and weekends, Nov.-Feb. Admission: adults: $12.00; 62 & over: $11.00; children 5-15: $6.00; 3-4: $3.00; 2 & under: free. The Farm & Museum is located one-half mile north of the Woodstock village green on Vermont Route 12. For information: 802/457-2355 or www.billingsfarm.org.

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This announcement brought to you as a public service by Quilter’s Muse Publications