Archive for July, 2011

Wonolancet History Program

Sunday, July 31st, 2011

Press Release:

Wonalancet, Weeks & the White Mountains

Celebrate the Weeks Act Centennial by exploring the history of Wonalancet as it was 100 years ago. The Wonalancet Out Door Club and the Arts Alliance of Northern New Hampshire invite you to visit the beautiful village of Wonalancet on Sunday, August 7, 2011 for a community-wide event that includes hikes, talks, home tours, music and art.

Programs begin with a service in the historic, nondenominational Wonalancet Union Chapel at 10AM, followed by presentations on the culture and lifestyle of Wonalancet in 1911, displays in local barns of Wonalancet artwork and historic photographs, a hike into The Bowl to see the forest that the Weeks Act protected from clear cutting, and a short guided hike with an opportunity to picnic atop Mt. Katherine and savor the view. Bring your own picnic lunch for the hikes.

In the afternoon several historic homes, including Wonalancet Farm, will be open for tours. The celebration will end with Wonalancet 1911 style of gathering and entertainment from 5–7 p,m., including music, songs, and perhaps some of Kate Sleeper’s charades. Light foods will be available at various sites during the home tours and the concluding gathering.

Join any part of the celebration or make a day of it. “Wonalancet, Weeks & the White Mountains” is part of “Eight Days of Weeks: The White Mountains Cultural Festival,” a regional celebration of nature and culture coordinated by the Arts Alliance and partners all around the White Mountain National Forest in honor of the Weeks Centennial. For additional information, visit www.wodc.org or www.aannh.org/8daysofweeks. You can also send email to info2@wodc.org or call 323-7113.

WODC was founded in 1892 to provide and care for paths, trails and other facilities for persons visiting the White Mountains; regarding these lands, to promote their conservation and the enforcement of the laws regarding their conservation and use, to promote communication between their owners and the public on these issues, and to promote discussion and education on all these matters.

The WODC actively pursues these goals through many activities including:

Maintenance of 52 miles of hiking trails

Restoration and reconstruction of deteriorated trails

Assisting private landowners that host local hiking trails

Publication of the WODC Newsletter
Publication of the Map and Guide to the Sandwich Range Wilderness


Bob Cottrell, President
Tamworth Historical Society
Currently restoring the historic Hall-Dyer House for our new home,
Museum, office and collection storage.
25 Great Hill Road, just west of the Barnstormers Theater
Mailing address: PO Box 13, Tamworth, NH 03886
(603) 323-2911
Email: Tamworthhistorical@gmail.com
Website: www.tamworthhistoricalsociety.org

This notice is brought to you courtesy of Quilter’s Muse Publications

“Charged Subjects”

Saturday, July 30th, 2011

No doubt about it. Unless people are dishonest or simply don’t care about others in the world, most have opinions when it comes to the hot topics of politics, race and religion. Some folks prefer to be silent publicly on all three topics. Others, historically speaking, have shared their thoughts with the world, in one manner or another. “Safe” way to do so is through the arts. Look at Picasso’s painting, “Guernica” with its disjointed figural representations. The abstract painting represents the discordance and chaos of the Spanish Civil War that began in 1936. Look at the lyrics of Bob Dylan, a now celebrated folksinger and song writer. At the height of his popularity, he was a “kid,” a war protester on the marginal edge of society. In one song, he told Congressmen to get out of the way “if you can’t lend a hand, for ‘the times they are a-changin’.” His friend, Joan Baez, sang the memorable song, “Children of Darkness,” another war protest song.

Indeed, the Civil Rights movement and the Vietnam war combined to make the 1960s a turbulent time.Today, the times are indeed changing, and not for the better. Spending is out of control in America. What is the main cause? The funding of the war machine adds to our national deficit daily, and is a total drain on our resources. And who does Congress want to pick on to help subsidize this folly? The poor, the elderly and those least able to care for themselves. A society is only as strong as its weakest link!

Political ideology that engages in a view of changing a world order via the use of violence is not matching facts. Instead of solving problems, the wars in Iraq and Afghanistan have only created a financial disaster that we now face. Some people want to place the blame on our president. No matter how good his intentions are or how clear his vision for the country was at the outset of his administration, he has been thwarted by those who represent their greedy, rich constituents who gain their own wealth by taking advantage of common American citizens.

Unregulated banking practices with spiraling interest rates have plunged many a person into a debt level that seems to have no end. Michael Moore, a “leftist” film maker, has documented the practices of Wall Street. Many of my own personal friends have been given a “pink slip” on a moment’s notice, and shamed by being marched out of their long-time work places, severance check in hand, and held up to ridicule of their co-workers (who also wonder if they will be the next chosen). It is a fine kettle of fish!

The trouble is, no one is paying attention to business. That fact becomes readily apparent in seeing signs along the highway: “Please – No Texting While Driving.” I asked my dear husband, “What idiot would text while driving?” He replied, “Teenagers?” Hmm… it seems to me that we are all “plugged in” to too great an extent. During her little speech last night, a speaker’s cell phone began chiming from a purse hung over her shoulder. We have to be “on call,” at all times. Other people who might want our attention are more important than the person with whom we are currently engaged!

The bottom line is that no one seems to be fully present “in the moment,” nor paying attention to the bottom line. We need to start looking at History in a serious way to learn lessons from it and stop repeating actions, such as wars that are doing nothing but harm to the people of our own country. We need to stop coddling the rich while we turn our backs on the disadvantaged, the veterans, and the elderly. Most of all, we need to hone our own skills of frugality and learn to manage our own resources of time and money. Maybe our small scale efforts will rub off on government practices.

Be well.

Patricia Cummings

Billings Farm and Museum Opens 25th Quilt Show

Friday, July 29th, 2011

With a quilt show premiere on July 29, 2011, the Billings Farm and Museum in Woodstock, Vermont celebrated their 25th year of such an undertaking. Quilts from Windsor County were gathered together in 1985 for the first quilt show that showcased local talent. Tonight, a handful of the original quilters who entered that show were in the audience to hear remarks by the curator, several jurors, and a former museum staff member.

fish quilt
Susan Damone Balch won two awards for an outstanding fish quilt.

Several other awards were presented.

As usual, the gala opening attracted the many quilters whose quilts are on display. This post shares a few of my favorites in photos taken by James Cummings.

A quilt titled “150th Civil War Commemorative Quilt” by Sandra S. Palmer caught my attention. The quilter lists 65 battles of the war that are considered to be the most “decisive” ones. On a basic Log Cabin format, she includes an image of President Lincoln and President Obama.

Sandra S. Palmer quilt
Quilt designed by Sandra S. Palmer

sign that accompanied Sandra Palmer quilt in show
This sign seems to be inaccurate,according to the site:
http://en.wikipedia.org/wiki/United_States_military_casualties_of_war
which lists a total of 625,000 deaths. I’d previously seen the statistic that 1.4 million soldiers served in the war. That may be where the confusion came in. Of course, many soldiers died because of medical conditions like malaria, smallpox, dysentery, etc.

Additionally, it should be pointed out for the unknowing that President Obama’s father was Nigerian; his mother, an American. His heritage is not that of a descendant from the Negro slave tradition and therefore, he is not directly linked in any way to the American Civil War. He is our first “Black” president, a milestone in American History. Just sayin’.

A delightful appliquéd folk art quilt by Susan Hall was made from a pattern found to purchase at the Vermont Quilt Festival.

Susan Hall appliqued quilt
An appliqued quilt by Susan Hall

A third quilt I really enjoyed has flowers constructed with felted wool. Susan Sahler made this quilt while dreaming of spring during last year’s cold Vermont winter. She calls the quilt, “Inspiration and Anticipation.”

Susan Sahler quilt

Congratulations to all involved in creating another lovely display of quilts that is sure to delight museum visitors during the next seven weeks! Happy Anniversary and many more!

Patricia Cummings

Disconcerting Revelation: Museum’s Continuance of the Underground Railroad Quilts Myth

Friday, July 29th, 2011

It was a good thing we were back at home tonight when Jim casually mentioned seeing a sign at a museum about an upcoming talk about the Underground Railroad and its Quilts, no doubt another totally bogus re-visitation of the myth that has been floating around for a few years but is becoming deeply embedded in the minds of American due to “history” talks at schools and museums by presenters who are NOT quilt professionals. I’d heard a talk of this kind at the same museum a number of years ago. In light of all of my work and that of MANY other historians and quilt historians, I thought they might have risen above the urge to keep sharing this misinformation.

This organization apparently has adopted the feel-good story about how “quilts” helped guide slaves to freedom. Supported by the agenda of the National Park Service and others who should be leaders in telling the truth, not duping the American public, unfortunately, this museum finds the story a good fit to benefit itself. This is a disheartening situation for me. For many years now, I have carefully explained all of the components of this recent American quilt myth. Apparently people would rather believe a lie when it is more convenient for them.

Funny how stories get blown all out of proportion. First, we had the totally made-up book for children, Sweet Clara and the Freedom Quilt (1982), followed by others, eventually. Then we had the book in 1999 by Raymond Dobard, Ph.D., who mentioned specific quilt “blocks” that supposedly carried hidden messages (some of which were not even designed until the 20th century). As an art historian, Dobard was looking for connections to Africa that coincide with his own ethnic background. Even he admitted that his theories were speculative. I won’t go into the details again. They are published on my website, in print, and in references to my work in the published writings of other people. I have neither the time nor the patience to revisit this topic in depth on this blog, yet again, and apparently, my words fall on deaf ears anyhow.

It is amazing that this same museum prides itself on promoting “quilt history.” They should really take a good look at what they are doing in promoting FAUX quilt history.

I am happy to report that in my own upcoming talk, I will be presenting TRUE FACTS and showing documented, museum-held, Civil War quilts made for soldiers or by them or by quilters in support of the “cause” during the Civil War, in both Confederate and Union states.

History is not an elusive subject. Historians worth their salt habitually use intellectual reasoning and common sense, acknowledging existing historical artifacts that have a provenance and can be documented, in order to draw logical conclusions. Anything short of that process is suspect. Hearsay, upon which the so-called “secret quilt code” and book about it are based is totally bogus.

There is lack of supporting evidence of any kind from the time period, or later, to indicate that quilts were ever used in any manner on the Underground Railroad (a system of safe havens and people who facilitated escapes to freedom in Canada for slaves, not an “actual” railroad). People are just dismally unaware of history and/or find it unappealing to share the truth of the matter. I am disgusted, once again, beyond belief. The museum in question should be ashamed. I have always loved going there in the past. Now, I am just fed up with the lies they perpetuate to the public. I wish this stupid topic would just go away, but it never will as long as the unknowing continue to perpetuate this myth. Sigh!

See Barbara Brackman’s book to gain more insight.

Patricia Cummings

Opportunity for Qualified Quilt Professional

Friday, July 29th, 2011

The United States Department of State, on behalf of the U.S. Embassy Riyadh, Saudi Arabia, is seeking a “female” candidate to present a comprehensive program to groups of economically-challenged and often illiterate women in Saudi Arabia and craft group organizers who wish to work as “enablers.”

The applicant for this short-term position should be an expert in quilting techniques, the history of American quilts, and know about the preservation of textiles. The program is an attempt to reach out to under-served women of that country. Ideally, the person seeking this teaching position would speak Arabic, although translators can be arranged. The work week in that country is Saturday to Wednesday. The time-frame for the five day program is late August, September, or early October 2011. Travel expenses will be reimbursed and an honorarium paid.

The Embassy would like to have a list of the candidate’s publications, previous (recent) speaking/teaching engagements and contacts for same, and a biography. If more lead time were involved and my circumstances were a bit different, this is something I would have loved to pursue. If any other quilt professional is interested in this opportunity, please contact me and I will forward additional details and contact information.

Patricia Cummings, quilt historian, teacher, author
Quilter’s Muse Publications

“Mola Dress” Question Sent by Reader

Thursday, July 28th, 2011

A reader sent the following photo of a “mola dress” she purchased on the Internet. She asks if it is “authentic” or if she should cut it up to use in making textile art.

mola dress
Mola “dress” sold in Panama

This dress has a tag inside that says: “Seds Crafts”
MOLAS
PANAMA
P.O. Box 6-8789
Panama 6 Panama

60% cotton & 40% Polyester
RN-80079

My response to Pam is one of surprise. In my vast studies of molas, traditionally made by the Kuna Indians who live on archipelagos off the coast of Panama, I have never seen anything like this dress, attributed to them. No doubt the dress was manufactured in Panama but it seems to be a spin-off, based on Kuna designs, but perhaps not made by them, any more than the tee-shirts with printed mola designs. I suggested that she “hang onto the dress” and not cut it up for re-use. Perhaps some of my friends who are mola dealers and sell on e-Bay and elsewhere can shed more light on this topic. As for me, this is the first time I’ve seen anything like this!

Update: I just found the answer! I checked e-Bay and found this statement on auction #260816508840 that features another Kuna-Indian inspired garment:

“In recent years the crafts of “Molas” has found a new place in modern manufacture of clothing, giving new forms of art expression, several Panamanian designers are using molas on their clothing. This garment was designed and made by “Sed’s Crafts Molas Panama.”

Patricia Cummings
Quilter’s Muse Publications, a website that has comprehensive historical articles about molas and the Kuna Indians

Traditional Dog Sled Making to be Explored at Community Presentation

Wednesday, July 27th, 2011

Editor’s Note: I was thrilled to receive this e-mail from Bob Cottrell inasmuch as my (late) uncle, Hendrik Dolleman, was a dog sled driver and trainer who accompanied Admiral Byrd to the Antarctica on two of his expeditions!

PLEASE COME !!!!!

A COMMUNITY PRESENTATION ON
TRADITIONAL DOG SLED MAKING

Master Artist: Karen E. Jones, Tamworth
Apprentice: Ryan Cottrell, Tamworth

Saturday, July 30, 2011 AT 10:00AM – 11:00AM
NERAK KENNELS & SLEDS
275 Cleveland Hill Rd, Tamworth, NH

This community presentation is in partial fulfillment of a
Traditional Arts Apprenticeship Grant
Awarded by the New Hampshire State Council on the Arts, a state agency.

Traditional Arts Apprenticeship grants help to preserve our living
heritage for future generations by providing support for a master
traditional artist to teach an experienced apprentice in one-to-one
sessions.

Funding for Traditional Arts Apprenticeship grants is made possible
through appropriations from the New Hampshire State Legislature and
the National Endowment for the Arts, a federal agency. To learn more
about the New Hampshire State Council on the Arts, visit:
www.nh.gov/nharts

Rain or Shine………………..Wood steam bending at 10:00am and
again at 11:00am, with Ryan Cottrell talking about his grant and
showing his work.

Thank you…………………

Karen E Jones
Nerak Kennels & Sleds
Tamworth, NH
Working Siberian Huskies
Traditional Handcrafted Dog Sleds, Ice Fishing & Kids Sleds
NEW-USED-REPAIRS
Pro Pac / Earthborn Holistic / Sportmix Pet Foods
603-651-8706
www.nerakkennels.com

Contact: Bob Cottrell
Email: chinook1618@gmail.com.
Home phone: 603-323-5030
Address: PO Box 58, 124 Tewksbury Drive, Chocorua, NH 03817

Reader Mail re: “Mi Caballo Blanco” Music File

Wednesday, July 27th, 2011

After accessing a music file on our website, “Mi Caballo Blanco,” Mehdi Mehtari has written the following note:

Hi,

I was visiting your page about the song “Mi Caballo Blanco” that I noticed you have not mentioned the Persian version of the song written and performed by Fereydoun Farrokhzad.

Another version is performed by Saeed Mohammadi

Here are the Persian lyrics:

اسب سفید من مهربان و رام است

اسب سپید من چون کودکی آرام است

ای دریغ از هر چه دادم برای دوست

اسب خوبم، اسب خوبم، رفیقم اوست

یال سپید اسبم روشنایی راه است

چشم سیاه اسبم چون حفره های ماه است

هر جا که خسته هستم یا غرق حسرتم

پابند مهربانی اش حتی در غربتم

آن کس که دست من را در دستش می فشرد

مرا به دست غم داد به فراموشی سپرد

ای دریغ از هرچه دادم برای دوست

اسب خوبم، اسب خوبم، رفیقم اوست

The English translation:

My white horse is as kind and well-behaved as a child
I regret for whatever I spent for my disloyal friends
My good horse, he is my faithful friend
His mane lights up the way and his black eyes resemble the holes on the moon
Whenever I’m tired or upset, I remember his kindness and loyalty even in exile
The one who held my hand as a friend , left me in difficulties and problems
I regret for whatever I spent for my disloyal friends
My good horse, he is my faithful friend

Best Wishes,

Mehdi M.

—–
Dear Mehdi,

Thank you for your message.

In receiving this note, it is nice to again realize that I am part of a global community of scholars who love to share information. I found a lip-synched version of the Farrokhzad song: http://www.youtube.com/watch?v=rceY9AvJ1pM and a biography about Fereydoun Farrokhzad, Ph.D., an Iranian anti-cleric activist who was studied in Germany and was murdered there. Read more about his life on wikipedia:
Fereydoun_Farrokhzad
—–

Update: In a subsequent e-mail, Mehdi revealed that in the introduction to another music video by someone else who performs the song, it is mentioned that Fereydoun added new lyrics to an existing Argentinian tune (just as I suspected as I’ve sung “Mi Caballo Blanco” for almost 40 years). That solves yet another “mystery.” Interesting.

New Civil War Crossword Puzzle Available

Tuesday, July 26th, 2011

This morning, just for you, I have created a new crossword puzzle with terms related to the American Civil War. These pdf file pages are available to print out.

American Civil War crossword puzzle clues

American Civil War crossword puzzle solution

See additional crossword puzzles posted to our main website. Enjoy!

Questions? Write to pat@quiltersmuse.com
Quilter’s Muse Publications

“I Have a Little Shadow…”

Monday, July 25th, 2011

Hollyhock photo by Jim Cummings
Hollyhock with dew, photo by James Cummings

Ostensibly, one of the requirements for passing third grade in elementary school was to memorize poetry. To this day, I recall the poem “My Shadow” by Robert Louis Stevenson (1850-1894) that is included in A Child’s Garden of Verse published in 1913. Here are the verses:

I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head
and I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow–
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller than an India-rubber ball,
And he sometimes gets so little that there’s none of him at all.

He hasn’t got a notion of how children ought to play
And can only make a fool of me in every sort of way.
He stays so close behind me, he’s a coward you can see.
I’d think shame to cling to nursie as that shadow sticks to me.

One morning very early, before the sun was up,
I rose and found the shining dew on every buttercup,
But my lazy little shadow, like an arrant sleepy head,
Had stayed at home behind me and was fast asleep in bed.

Did you have to memorize this poem or any other one in grade school? Just wondering.

Patricia Cummings, “sleepless in NH @ 4:40 a.m.”
Quilter’s Muse Publications

Are you a Tree Hugger?

Friday, July 22nd, 2011

I am so happy to live in New Hampshire. I do not have to look far to see trees. Oh yes, I remember the Joshua trees of the high desert in California and I remember the olive trees of sunny southern Spain, but I’m talking about major land areas where there is virtually nothing but trees. One particular tree of which I am very fond is the Tamarack, the only Evergreen tree that sheds its needles in the fall and regrows them in the spring. It is lovely and delicate looking, reminding me of a lace doily.

Tamarack tree in northern NH
Last May, I asked Jim to take this photo of a Tamarack tree growing near a bog in northern New Hampshire

To put it plain and simple, I am a tree hugger! I love trees! I especially remember the trees on the farm where I once lived. There was a big ole Maple Tree that had sturdy branches. My father was able to mount a swing on it. On one side of the house, there were three huge Maple trees, so gorgeous in the Fall and my mother would gather the cascading leaves to press inside pieces of wax paper weighed by a huge dictionary that she used to help with crossword puzzles. She’d mail the leaves to her granddaughters out West. They loved them!

Autumn leaves quilt by Pat / design by Piecemakers
Autumn leaves quilt made a few years ago by Pat with a commercially-sold pattern sold by “Piecemakers.” Love their designs!

We also had a Black Walnut tree for many years. I remember staining my hands with their dye, trying to remove the outer layer of the nuts, crack them open and retrieve the Black Walnut meats inside. After I went to a great deal of trouble, hoping that my mother would make some cookies or something with them, she informed me that she did not “care” for them. My brother’s friend came along, however, and saved the day by saying that he simply loved them, would use them, and was more than happy to take them off my hands. I was just a kid and was pleased.

I don’t remember when this fascination with trees began but whenever I am out for a ride, I always notice them. In New England, there is no shortage, of course. If they keep tearing down trees to accommodate new homes and to clear cut for new buildings for business, we may be in trouble. Why, I remember a few years ago when a stretch of Rte. 106 in Concord was lined on either side by Pine forests. The trees were dense and thick and looked cool and inviting. They provided a special habitat to the remaining Blue Karner butterflies on the planet. Since the trees were all taken down, there is not a trace of the rare species. Malls with vacant stores stand in their place. And so it goes. For every step ahead man takes, he takes two steps backward.

In New England, we have a long love-hate relationship with trees. The King of England claimed the largest ones for masts for his ships. Those who wanted to clear the land in order to farm not only dealt with having to remove lots of trees but also having to move stones out of the way so they could plow. Today, secondary growth forests exist where farm land used to be. And… in the town where I grew up, cleared farm land has become the site of many a McMansion, including one on acreage where I used to ride my horse. I don’t like change! Life “progresses,” I am told.

horse grazing at Sugar Hill, NH
Horse grazing at Sugar Hill, New Hampshire

For now, whenever I can, I like to escape to the north country of NH where the air is not so clogged with industrial pollution, where the folks are a tad friendlier, and where life goes on at a much slower pace, or so it seems to me. If you love Nature, plant a tree!

Patricia Cummings
Quilter’s Muse Publications

Unusual Textile “Find” by Reader

Tuesday, July 19th, 2011

When Judith Kaplan wrote to ask my thoughts about a Crazy Quilt that she’d just purchased, my first conclusion was that it is not a “Crazy Quilt.” That term does not refer to just any quilt that appears to have haphazard designs but rather to a specific effect achieved by asymmetrical piecing and certain kinds of patch edge stitches that belong to a family of stitches known as Surface Embroidery. Here are some photos of the antique textile found in a “junk shop.”

Shredded silk
The first clue that this might be a late 19th century textile is the presence of silk that is shredded.

bundled threads
Some of the sections are divided by what appear to be bundles of dyed wool fibers that have been “couched” with perpendicular stitches to connect them to the surface of the textile.

scotch tape
I love it! When in doubt about what to do about shredding silk, just get out the scotch tape! This could be the answer conservators have been seeking!

Shisha
Shisha (mirrors) that are affixed via a special sequence of embroidery stitches point to an origin of India.

final image
Final image of this textile

Many thanks to Judith Kaplan for sharing her excitement about this discovery! I have seen a few other Indian textiles in antiques shops with very intricate and time-consuming stitches, yet they appear to have been abused and ultimately, any known information about them has evaporated.

I am very eager to read Patrick J. Finn’s book about Indian textiles that is to be published some time this year. He is a scholar who has lived in India for some time now, researching every facet of Indian textiles. Perhaps with more images to view, a specific region of India could be pinpointed as the origin. For now, all I can safely say is that this piece does not fall within the category of “Crazy Quilts.”

Patricia Cummings

Good Thoughts to Consider

Sunday, July 17th, 2011

Dyer's Chamomille
Dyer’s Chamomille photo by James Cummings

I love it when people post thoughts with meaning, especially ideas that one can incorporate to live a better life. One such thought is this: “No one can call a day successful until he has done a favor for someone else that cannot possibly be repaid.”

This concept is totally different from another one I heard this week: “In business, it is always important when making any decision to figure out ‘what’s in it for me’?” – a phrase remembered by the acronym, WINFM.

To some extent, it is only natural for humans to try to calculate the positive consequences of any action, whether on a conscious or subliminal level.

I think I like the first thought better. Doing a favor with no expectation of a return of any kind is like “casting bread upon the water.” Karma, that great unknowable force in the universe seems to indicate that “what you put on the table is what you get in return” – the words of a Bill Staines folksong. When we help someone, whether that person is a friend or a stranger, we feel good about ourselves.

A Facebook friend asks, “If I am here to help others, why are they here?” I responded by saying something to the effect that “they are here to enjoy whatever we give them for free.” Even to myself, that seems like a cynical statement. Often, the ways in which we are repaid are intangible or will never be known. We don’t usually know when our favor has inspired someone to be kind to another person. At the moment, I am thinking of times we’ve pulled up to a toll booth and the car in front of us has already paid the fee. In current jargon, the act represents a notion called “paying it forward.”

Today, I’ve spent some quiet time thinking about the state of the economy. If everyone could implement kindness as part of their so-called “business plan,” we’d all be ahead of the game. If insurance companies and medical establishments or any for-profit businesses would stop trying to see how much they can gouge the public for needed goods and services, the better off America would be. Right now, the divisiveness is between the “haves” and the “not haves.” The “haves” are making it more difficult for everyone to live while they amass their monetary fortunes, in figures that result in more piles of pennies than I could even imagine.

What happened to the good old days when bartering was the watchword? There was more of a spirit of sharing rather than competition. If I needed a new pair of leather shoes, perhaps you could use apples from my tree or eggs from my chickens or I could make you some trousers in return… (recalling 19th century stories, in so saying).

The concept of “pay it forward” is a good one, as is the idea of sharing talents or services that can never be repaid. In doing so, you may improve your own happiness quotient. Works for me!

Patricia Cummings
Quilter’s Muse Publications

Egyptian Wall Quilt Holds Mysteries

Saturday, July 16th, 2011

Egyptian piece
A wall quilt from Egypt

When one buys anything online, there is always some risk involved. The descriptions by sellers, particularly in online auctions, and especially those who are selling textiles, leave a lot to be desired. Approach buying anything with a “Buyer Beware” attitude.

I really like the design on the Egyptian wall quilt seen above. However, the surprise, only hinted at in the ad, are the stains on the front. The back of this piece has larger blue stains that appear to be splashes of laundry detergent. The seller admits that it had been kept in a “laundry room.” My question is “Why?”

The secondary market is loaded with used textiles. Some still have wonderful designs and are worth collecting by those who love vintage items or find some inspiration in them as a basis for creating new designs. However, some of the items are overinflated in price only because people are under the mistaken impression that anything old is “val-u-able!” Condition is everything.

Sometimes, one makes a conscious choice to purchase a damaged item; or the person does not realize the extent of wear, stains or tears in a textile. It depends on what anyone is willing to accept. Very few old quilts or embroidered linens that have been used are “perfect,” especially if they have been washed. For example, if one does not know how to properly press an appliquéd dishtowel, the design can end up being “mashed” beyond revival.

Whenever we collect an object “out of context,” we will never know who made it or why or how it came to be abused or re-purposed for some reason other than its original intent. Families are notorious for not appreciating the work of mothers or grandmothers. Handiwork is just something they “do” – a habit akin to having a disease or something. It is only when the maker of objects has passed to the great unknown that their work might be appreciated. Alternately, it is thrown to the dogs (literally, in some cases). More than once, I’ve had a family member demand the “return” a textile that they sold off in an estate liquidation or otherwise allowed to pass from their hands. It has suddenly become “val-u-able,” meaning that the object must have value if I’ve taken the time to research it, write about it, photograph it, and publish it! Nothin’ doin’. After all that hard work, the object is “mine.” After all, no one gave it to me!

People are funny, that I know. I am a great observer of human behavior and the absurdity of thinking that occurs is always beyond my wild imagination. At the very least, it is all so amusing… to a degree. Somehow, I am less cheerful whenever I come across an abused dog, cat or quilt. Just sayin’…

Pat

Bundling Article Generates Reader Mail

Thursday, July 14th, 2011

An article about the ancient tradition of bundling has generated a lot of interest since I researched the topic and wrote about it for The Quilter magazine in the July 2007 issue. A similar article about bundling, is in place at Quilter’s Muse Publications.

In this blog file, I share four of the letters that I have received.

Hi,

I just finished reading the fascinating article you wrote on bundling. At the end, you asked if anyone had more info on it they should contact you. I have one tidbit you didn’t mention.

In the 2000 movie “The Patriot” starring Mel Gibson and Heath Ledger, Heath’s character “Gabriel” was in love with the daughter of a merchant who gave the rebels supplies. When the militia troops, of whom Gabriel was a member, stopped in the town to resupply he asked permission to court the girl from her father, and that evening the mother of the girl sewed him into a “bundling bag” – Gabriel thought it was a “fine” tradition. The girl’s father on the other hand was concerned because he remembered that when he was courting his wife in the same manner; apparently there was some hank-panky going on. She soothed his feelings by telling him, “Don’t worry. I sew better than my mother did.” :) ) laughing

Just thought you might like to know.


Second letter:

I read your article in the July issue of THE QUILTER with great interest. I have recently become interested in this subject after seeing it depicted in the movie THE PATRIOT and also after being told by someone that a family in our area still practices bundling! I am skeptical as to whether or not this is true as the woman is quite a gossip.

Being a practicing Mormon I feel the practice is playing with fire as we believe that sexual relations should only take place between married people. Even though my husband and I have never had sex with anyone else and we were both virgins when we married, I don’t believe we could have “slept” next to each other during our engagement and remained chaste! Why play with fire?

Nevertheless, I am still fascinated by the subject– I think because I am a history buff and want to research everything interesting–especially in early American history. I have a question for you and thought you might be able to answer it given your status as an “avid quilt history researcher”. I have been looking for this for years and can’t seem to find where I read it. Somewhere I read that a certain group of people would make a small (maybe 36×36) all white hand quilted quilt to place on the “wedding bed”. I assumed this was for a couple whom had not lived together or had sex outside of marriage. It was saved and used for their “first time” as husband and wife. I believe the article mentioned that it was intended to be laid across the top of the blankets. Even though I could not locate the original information on this practice I made one for my son and his fiance for their wedding night. I used all sorts of symbolic symbols for the quilting pattern–dogwood blossoms because they met in Virginia, cherry wreaths because they were married in Washington DC, hearts of course for love, doves for peace and a huge basket of fruit to symbolize fertility. I want to enter this quilt in a local quilt show and would like to include some correct information on this practice if possible.

Any information you could give me or lead me to would be greatly appreciated. Thanks for your wonderful article on bundling. I enjoyed it very much and have saved it for future reference should I ever need it.

Third letter:

I wouldn’t go so far as to say that bundling or bed courtship is the reason that *many* have left the Old Order, but it certainly is a consideration for some. My friend and her husband were married in 1972, I believe, so their experience would be later than your example in PA. It’s one of those things that everyone knows about but can’t be documented unless you’re very close to someone who’s practicing it. I don’t know many Old Order Amish so I can’t give you any more help than that.

I forgot to mention that I’ve never heard of the bundling boards or bolsters. They may have existed in earlier years, but now I believe that the tradition of bed courtship is so strong in some Amish churches that no attempt is made to maintain innocence.

There is a lot of immorality in general among the young Amish people in Geauga County; drinking, smoking, drugs, etc. Several groups of concerned Amish have actually moved away from this community to remove their children from bad influences. (Geauga County has somewhat of a ‘bad reputation’; not all Amish communities are like this one.)

A very good book for you to consider is My Beloved Brethren by Stephen L. Yoder. He was a Beachy bishop (recently deceased) from Indiana who addresses many of these issues, including bundling. In fact on page 83 he lists “bundling among youth” as one of the four main reasons that the New Order Amish church was founded in Holmes Co., Ohio in 1967.

Fourth letter:

Dear Pat,

I came across your essays on bundling today, so I thought I would send you a link to what I’ve written about the subject… I had no choice but to practice “bed courtship” when I was young. Well, I did, but then I would have dated no one.

To read what I’ve written, you can visit:
http://aboutamish.blogspot.com/2009/12/traditional-amish-courtship-practices.html

I also have some about this in my new book, Why I Left the Amish.

All best,

Saloma Furlong

http://salomafurlong.com/Memoir.html