Archive for October, 2010

Is This Piece of Old Toile “the Real McCoy”?

Sunday, October 3rd, 2010

When Christopher Moziakk went to a garage sale, he was merely looking for a frame. In disassembling the frame, a card fell out that identified the fabric in the frame as an English toile print from the Seymour collection, circa 1760. He sent a photo, explaining that the frame had been sitting out in the rain, and thus, there is water damage to the fabric. He wrote to ask if I think the fabric is authentic.

old toile of Chris Moziakk

Piece of old toile cloth found in a frame

Now, I know that some of you love the mysteries I present here often. I have a few books about toile – okay, I’ll come clean, I have as many in-print books as I could find about toile when I was writing an article for The Quilter magazine a couple of years ago. If you have other earlier print sources and happen to find proof of this particular fabric print in one of those books, before I do, please let me know!

This will be fun to try to hunt down!

10/4/10: I have looked through four books on toile, one of which has many English prints, and I have not found a duplicate fabric. If this piece of toile is, indeed, from 1760, it would be a very early one. Francis Nixon invented copperplate printing in 1752 and did not share his technique of printing fabric with copper plates with England until 1755. Of course, “circa” can mean a date within 10 years on either side of a specific date. At any rate, it is a guess. A fellow quilt historian mentioned that one of the hats looks more like a 1780 style to her. Anything is possible. What a find!

Update on 10/21/2010: This particular toile has been identified as an 1820 English toile that is sometimes falsely attributed to a Massachusetts resident who lived between 1733 and 1788. Scholars believe that it is a copperplate print, not a wood block print. Copperplate printing machines were large and heavy and were not generally used in the production of home printed fabrics. The images on the cloth itself, namely a woman fortune teller and quasi-military scenes, suggest a date of post 1800. This information was shared by Stephanie Hatch, quilt historian, who states that a piece of this cloth is owned by the Peabody Essex Museum and other museum sites.

Patricia Cummings
Quilter’s Muse Publications, a website that features a lengthy article about toile

Symbolic Quilt Block with Timeless Image: The Cornucopia

Friday, October 1st, 2010

Since it is autumn, it seems very fitting to discuss cornucopias and their symbolic meaning. The 16th century word is derived from Latin: “cornus copiae,” a term that designated a mythical horn that could provide anything desired. Traditionally, this horn was filled with fruit but could also include flowers or corn, according to the Oxford American Dictionary.

Ellen's cornucopia

An example of one of the blocks that Ellen Webster “charted”

A couple of years ago, I wrote a history of the life and work of an exceptional New Hampshire woman (a quilt historian and professor). A cornucopia quilt block is one of the more than 200 designs she “saved” for posterity that are featured on full page entries in my e-book. The appliqué quilt block is absolutely gorgeous, as you can see! In particular, I love the inclusion of the color orange.

Moreover, I love what the block represents: the gift of the harvest; the gift of abundance. What does abundance mean? Of course, applied to individual lives, the word can take on different meanings. In the case of Ellen Webster who prepared the quilt block that you see here, abundance could have meant: 1) having a loving family; 2) enjoying meaningful work; 3) taking delight in the natural world of birds and plants and yes, her beloved discovery of luminous moss. She never was left “wanting” material goods because she had the resources and the intelligence to obtain what she needed in life. Part of her blessings were a fine and upstanding husband, a dentist and valued member of his community. Yes, Mrs. Webster had many blessings in life and she also gave much back. Isn’t that part of being blessed — being able to share?

Every time I see this particular cornucopia quilt block, I smile. It reminds me of a horn-shaped basket filled with (artificial) grapes and other fruits that my mother would place on her kitchen table this time of year. As we go through life, we have to savor the abundance that is ours: good food, good friends, and the good health to enjoy them. Wishing you abundance in your life!

A partial exhibit of the quilt charts of Ellen Webster continues to be available at the New Hampshire Museum of History in Concord, NH until January 11, 2011.

Patricia Cummings, author of Ellen Emeline Hardy Webster (1867-1950): Her Amazing Quilt “Charts,” Her Writings and Her Life – 355 pages; 340 photos
Quilter’s Muse Publications