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Sunday, January 31st, 2010

Today, I have received an e-mail from Margaret Mathews who told me that we have a wonderful site and she likes what we have done with it. Thank you, Margaret!

I visited the link she provided at the end of the note and found a very rich blogspot with all kinds of beautiful images of appliqué work and opportunities for ordering pattern designs for quilt blocks that are based on authentic antique designs, many of them Baltimore Album reproductions or made in that style.

It was refreshing to see ladies meeting together in a private home to share the fun of quilting, just like the “old days.” One woman is seen holding up a beautiful quilt block. Fun to see all the smiling ladies.

Be sure to see Margaret’s fine blog:

We have five files on our website about Baltimore Album Quilts and their origins. An Index of the files is available by clicking on the word “Baltimore Album” that is located on the left side bar of our main website, Quilter’s Muse Publications. (see live link at the bottom of this note).

I love needleturn appliqué and “test drove” a few patterns for Future Heirlooms Co. about 10 years ago. Here is a link to one that Margo Rose calls “.”

I love to hear from those who enjoy our website. Words of appreciation are welcome and I consider them my “paycheck.”

Patricia Cummings

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Friday, January 29th, 2010

Margo Krager of contacted me recently about Martha Washington’s counterpanes, etc. The story is very interesting and I believe that my readership will benefit from reading the summary of her experience, shared in an e-mail to me today. There is a file on our website about my previous research into . etc.

Margo writes:

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walgreens viagra coupon and walgreens viagra coupon) as well as the listing of textiles in orders and invoices of George Washington — chintz, calico, sprigged linen and plate-printed cotton.

The quilt was a ‘Wheel of Fortune’ block (hand pieced) set on point with a faded double pink alternating block (machine pieced). The fabrics were 1880-90–monochromatic prints in claret, cadet blue, novelty motifs on indigo in a tossed pattern, periwinkle shirting. There were a few blades of mushroom colored, probably roller printed fabrics that may have been an earlier fugitive purple. The quilt was in poor shape and there had been repairs early in the 20th century and then additional repairs plus an added border probably at mid-century.

The documentation consisted of a listing of the gentleman’s female relatives (with birth/death dates) going back to a Kathryn Ealey, a cousin of Martha’s, who was 8 years old at her death. There were no estate or probate records, will or bills of sale.

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I appreciate this note and it is a good reminder for those who are interested in antiques. If something sounds too good to be true, approach the situation with caution.

Patricia Cummings

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Thursday, January 28th, 2010

This week we received a lovely letter from a woman who read the article on our website titled, “.” Here is what she said:

Date: Monday, January 25, 2010, 9:22 PM

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I wrote to Ms. Wukelic to ask if she might reveal her age. She is 76 years young, at the present time. This letter was a bright spot in my day!

Patricia Cummings

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Thursday, January 28th, 2010

The Association of Historical Societies of New Hampshire encompasses historical societies and resources throughout the state. I have been a member for several years. For those of you who are interested in historical documents, ephemera, and books, I thought you might find it interesting to peruse their store links on the site below:

From that page, you will be able to navigate their entire site, set up with the hard work of Rich Hureau, webmaster. Find out the origins of the group and more!

One of the reasons I love New Hampshire is the opportunity to share history with otherwalgreens viagra coupon of the subject. Totally enriching educational programs are presented by the NH Humanities Council and the New Hampshire Historical Society, as well as by the small museums that dot the countryside throughout the state.

Best Wishes,

Patricia Cummings

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Thursday, January 28th, 2010

A recent computer upgrade has resulted in some broken links on our website. I am fixing them as fast as possible. Sorry for any inconvenience. If you ever notice a file that needs “fixing” for whatever reason, please do not hesitate to contact us. Thanks!

Patricia Cummings

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Wednesday, January 27th, 2010

Did you know that “Red” and “Yellow” are the most intense colors? To be a successful and pleasing piece, any quilt composition should use Red and Yellow in a judicious manner, that is sparingly. Red has come to symbolize passion, and the very force of life (blood). It can represent anger. I will never forget an all-Red quilt I once saw in a show, made by a woman who killed herself upon its completion, as she had promised.

Red is a “power” color, according to those who advise women how to dress. Yellow is associated with frailty and weakness, and of course, the sun. In any composition, yellow should be placed high so that it will not look weighted down by darker colors above it.

Redwork is a type of embroidery that became popular in Victorian times. What is meant by Victorian times? The name is derived from Queen Victoria who ascended the throne at the age of 18, and two years later married Prince Albert, her cousin. Royalty could not marry commoners. Victoria ruled the United Kingdom for the next 60 years, and was a widow for 40 of those years, dressing in Black.

Many Victorian Crazy Quilts feature many pieces of Black silk. Redwork or “etching on linen” (the term used at the time) was a direct response to the excessive stitch ornamentation of Crazy Quilts which preceded the more simplistic outline stitch fad. Redwork looks nice because it has a white or muslin-color background that balances the thin lines of outline stitch embroidery.

Whether one prefers highly-ornamented embroidery, filled-work such as Crewel Embroidery (see the example on the front page of my website), or the more simplistic, line drawing look of Redwork, there is some kind of needlework that is bound to please us all.

I have found great joy in collecting pieces of Redwork and other embroideries and inwalgreens viagra coupon an embroiderer, quilter, painter, crocheter, knitter, stenciler, cross-stitcher, and needlepointer. I have enjoyed all of the other creative pursuits in which I have engaged. Creativity is a wonderful thing and I hope to be creative until the day I “shuffle off the mortal coil” and become an un-living entity.

Moreover, I have enjoyed the many intellectual pursuits that I have followed. Some of my work will continue beyond my lifetime in the tangible form of things I have made, in my written and published words, my musical recordings, and in the memories of my students and friends. Tonight, I am happy, and if I never awake to see another day, I rest easy in knowing that I did my best, in spite of a few stumbling blocks placed by others in the paths that I have followed.

G’ night,

Pat Cummings
– where there is a new article: “Redwork Embroidery – Perennially Appealing”

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Tuesday, January 26th, 2010

Lately, I have been hearing from people who received a Kindle as a holiday gift and they are very pleased with it. The latest generation is wireless, always a good thing if you plan on reading a book at the beach. In fact, that seems to be the ideal use of a Kindle: a way to transport many possible books without having to carry them around, perfect for English teachers who utilize books without graphics or photos and where the written word is the focus.

Here is the latest amazon ad. You can see that Kindles have come down in price a great deal since they were first offered.

Over the weekend, there was a discussion on NPR about “e-books.” I responded to that feed on facebook to explain the various “e-books” there are and why there is so much confusion about them.
The word “e-book” is short for “electronic book.” In other words, the consumer needs some device by which to “read” the book.

Some people refer to “e-books” as something that can be “downloaded” to a specific computer, if a fee is paid. Those books or sometimes, short stories, do not have many graphics or photos, and usually very few pages.

An “e-book” might be offered for sale on CD, as are four of my works that used to be offered in print. There are many advantages to purchasing a disc, instead of a book. I will enumerate some of the “pluses.”

1) A disc is easily stored.
2) No one will spill coffee on the book pages.
3) No one will bend the edges of the book corners.
4) Discs can contain an extraordinary amount of information, and a great many photos (My largest e-book to date is 355 pages long and has 340 images).
5) With my e-books, the consumer who prefers to have a print version is allowed to print out a personal copy which can be coil bound at a copy shop, if desired.
6) Shipping is less costly than a comparable hard cover book, yet all of the information is retained. In fact, the book is even better! There has been no change in photo edits due to the printing process.
7) Navigation is superior, and while reading the book, Internet references cited are just a click away. One can move easily via internal links, page links, and word searches = lots of navigation.
8) All books print out to a page size of 8 1/2″ x 11.”
9) The only requirement to view the CD is to have either downloaded Adobe Reader (a free, easy-to-install software program) or that the program already be present (which it is, on most new computers).

Our four e-books, stored on CD discs, are listed on the front page of Quilter’s Muse Publications: walgreens viagra coupon; walgreens viagra coupon; walgreens viagra coupon (New Hampshire’s Early Quilt Historian); and walgreens viagra coupon.

These books represent years of my life and careful study to create. They have been out-of-print until we recently formatted them into e-books, the only sensible thing to do. I thrill at making them available again. In revisiting these titles, I am aware of all of the original research that I did to make them the very special books that they are. I hope you will agree!

Have a lovely day!

Patricia Cummings

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Tuesday, January 26th, 2010

An expression states, “Hope springs eternal in the hearts of men.” I do not know who first said that, but it is a wise observation. The hope of being rescued kept many Haitians alive under the rubble. Miraculously, some people were recovered after many days of being buried. Their hope was rewarded. The rescuers and family members never gave up hope.

The cranes are now moving concrete in that country in the hope of finding remains of people so that they can be identified and put to rest in a more proper manner. Yet, while the cranes uncover bodies, the living are scurrying in to gather up valuables and items that belonged to the victims, just as crows would devour the flesh of roadkill.

The role of ethics comes into play. Is it unethical to confiscate valuable goods that once belonged to someone else, when he/she no longer has an earthly use of them? Does that constitute being a thief? Extraordinary circumstances seem to change the moral order, and the rules of play. The living only hope to continue to live, in spite of the odds of contracting some disease like typhoid, or dying from some infection, or amputation, or not being able to obtain clean water and food.

This unthinkable tragedy in Haiti is so unfathomable to me. To think that one moment, people were making plans for supper that night, or sitting in an office, or playing in the street, and the next minute, chaos reigned. This event could have happened to any of us, particularly areas of the eastern U.S. and western U.S. that sit right on top of geologic fault lines. Tragic events have struck before, one such incident nearly wiping out San Francisco completely in the early 20th century.

We think that we are invincible and then something beyond our control happens that brings us to our knees. For, ultimately, we have to realize how our lives are manipulated by a greater force in the universe, no matter what that may be called. We are like puppets and all of our lives hang in the balance. Knowing that our lives could be altered forever, at a moment’s notice, seems to do nothing to daunt our own optimism, hope, and endurance. Without the hope for a better tomorrow, we have nothing and we are nothing. We are diminished.

Hope must reign eternal: hope for world peace, hope for an end to hunger, and hope for a termination to bloodshed. Beyond the basic requirements of life, we hope for self-expression and an appreciation for all who try to earn a living through the arts, whether professor, performer, or producer of something artistic. More than ever, the arts must come together with the needs of humanity to show that there is something beyond pain and suffering, to help people to catch a glimpse of the eternal and all that is good, and to help raise money to alleviate the plight of those who suffer as a result of war or natural disaster.

If you are unemployed, hang onto hope. Life seems to go in cycles. There are boom times and bust times. Right now, nothing seems right. I hope that we can remind each other that a better day is coming. Cling to hope, as hope is all we really have.

If you wish to donate needed dollars for Haiti, one suggestion is to visit the website where there is a link for online donations.

Patricia Cummings

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Sunday, January 24th, 2010

walgreens viagra coupon will be available shortly. Written by Sue Pritchard, Curator of Contemporary Textiles at the Victoria & Albert Museum, this book promises to be a great addition to the library of anyone who is interested in antique quilts and their “stories.” It is possible to “pre-order” this book on amazon.

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Sunday, January 24th, 2010

“Scenes of Childhood” is another folk art quilt from circa 1800, according to pattern maker Froncie Quinn. Having admired this quilt for years in books such as one by Sandi Fox, I was delighted to find the pattern and began work on it, re-creating one block that you see here.

sins (things) in my pocket

“Sins in my pocket” (Things?)

The challenge of appliquéing something like this block is in continually planning ahead as to what piece of fabric goes “over” and which pieces go “under.” Not a problem, just a consideration. The features of the girl are inked, as is the hair.

I completed the block by “needleturning” all of the pieces, a challenge when working with the tinier pieces like fingers, since the whole block is only about 8.5″ x 10.5″ large. The ball, which looks cylindrical, rather than round, is embroidered to create “divisions” on its surface.

I finished the block by adding the inscription which oddly-enough says, “Here’s some more sins in my pocket.” What a strange expression! I don’t get it? Do you? I wish now that I had not inked it in. While it may be “authentic” and I am sure it is, I don’t like it and it has turned me off on continuing to make a reproduction of the quilt.

The rest of the quilt is charming with cornucopia shapes in each corner sprouting flowers. There is a cat, two dogs, and a cow, and a scene of rocking with Grandpa, and another scene that is really quaint.

The verdict is not as to whether this one block will ever get companions and become a finished quilt. I’ll have to wait until my patience is at full ebb. Those little pieces drove me nuts to appliqué.

The quilt is presently in the collection of the Shelburne Museum. created the pattern.

Patricia Cummings

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Sunday, January 24th, 2010

In October 1991, a folk art quilt that represents the Civil War and Reconstruction Eras, was sold at a Sotheby’s auction for a record amount of $264,000.walgreens viagra coupon, Fall 2003, published an article co-written by Melissa Jurgena and Patricia Crews. The article: “” begins on page 38 of that journal, and can be viewed at the website of the International Quilt Study Center. This is a remarkable piece of American folk art and well worth taking a look.

This file is heavy on graphics and will take a moment to load. Be patient.

Patricia Cummings

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Saturday, January 23rd, 2010

Words can carry a powerful message of dislike and discounting of another individual. Take the word “ditzy,” a word usually followed by another word, “blonde.” Now, we know that not all blondes are ditzy, although some may be, if one believes the stereotypes. I will not recount the most pejorative words I have ever heard. You know them as well as I do.

Lately, the word “obese” seems to be on the lips of many news anchors who comment on the state of Americans and their health. I hate the word. It seems judgmental, lacking tact, and downright insulting. Not every overweight person sits guzzling beer all day, or “pigging out” on food or sweets. People may be overweight for a number of reasons, including hypothyroidism or “low thyroid.”

Every human being has a different rate of metabolism and many people have a sedentary lifestyle, tied to a desk at least 8 hours per day. It is no wonder that Americans have weight problems. The issue of weight can increase with age. However, to label someone is to cast them off as of no importance. Some people would do better to look in the mirror at their own shortcomings.

People are short; they are tall, they have receding hairlines, no hair, or abundant hair. They come in all weights from Twiggy-thin to Ample and Womanly. Some men are flabby; others are muscular. None of this matters. None.

Keep your labels for soup cans and file folders. Labels for people just don’t work. This is a poem I wrote 10 years ago.

On Labeling

Patricia Cummings, September 2, 2000

At the cupboard, I try to decide, will it be soup or spaghetti?
The label that helps me to choose
precludes me from opening beets or confetti.

Labels for food would most certainly be missed
were a youngster, bored, to remove them
but labels for people, just don’t seem to work
as much as we try to conjure them.

Until you are dead, you will all live in dread
of the words people say about you.
But you know who you are, and the gifts that you have,
so turn a deaf ear to the critics.

Patricia Cummings

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Friday, January 22nd, 2010

Ever since I can remember, whenever times were lean, as they are now for many people, the first thought is to cut back on spending. Now, it is reasonable to think about that. All of us should have some kind of a budget plan, and trim excess spending wherever we can so that earnings = more than expenses, at the end of the month. This is not a lecture on saving money, however. Rather it is a commentary on wise spending of money when it comes to school budgets, and even personal spending.

Music and Art in the schools are always the first departments to receive cuts in funding. In my opinion, they should be the last to be compromised. Music and Art are exactly what are needed to energize us and to make life worthwhile. For children, training in music will always stand them in good stead, as will the practice of art and the knowledge of the masters. Yes, some of those students may become professional performers or practitioners. Culture needs music and art, plain and simple.

Civilization requires a knowledge of the past and it is always fun to look at the “History of Ideas,” a field of thought (academic discipline) that was developed by a friend of mine, Florence Petherick, Ph.D., (who has now passed on). She was fascinated by ideas, and their origins and development, over time. We are all interested in what other people say and that is the reason that many books of quotations are sold. FDR said, “There is nothing to fear but fear itself.” Who wouldn’t remember that statement? There are many sayings, even old-time Yankee ones, that shape our thinking and help us to put things into perspective.

“A penny saved is a penny earned,” is one of those frequent remarks. What people do not realize is that in an inflationary economy, such as this one, it is not a good idea to hoard money. For me, personally, I would rather have a new book than a new piece of clothing. We all have our priorities. My point is this: Do not neglect music, art or literature because of the current financial state of the nation. In our own small way, we each need to encourage the arts, and our own knowledge of them, by continuing to buy books and also encourage our local libraries to acquire new educational materials. If you have the chance, vote for keeping music and arts in the schools!

A nice birthday gift that is easy to send is an amazon gift card in any amount from $10. to $500. that is redeemable at amazon.com or endless.com We are not always aware of someone’s taste in music or books, and the gift card allows them to choose what they would like. This is just a random thought that seems to fit in well with what I am thinking, this morning. Below, I have provided a link so that you can check out this idea for yourself.

Be well.

Patricia

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Friday, January 22nd, 2010

Asheville, North Carolina, Thursday, January 21, 2010 –The non-profit Alliance for American Quilts will host two fundraising events in Washington, DC on Thursday, March 4.

The “Connected by Threads” events will celebrate quilts, quiltmakers and quilt history through the lens of two speakers, and, both board members of (AAQ). The events will benefit the nonprofit AAQ, a national organization that documents, preserves and shares the rich history of quilts and quiltmakers. Both Mazloomi and Rowell will share quilts from their own collections and studies. “Connected by Threads” is sponsored by and maker of Art Call, the on-line artist registration, jurying and exhibit administration system, and the Rowell Family Charities.

Events like this make it possible to learn about quilts through the eyes of both the artist and the scholar”, said event sponsor Lisa Ellis. “Seeing quilts in person amongst other quilt enthusiasts is a real treat and a great reminder of the important role that quilts play in American culture and women’s history; and the power of the quilter’s art to empower people and make the world a better place.”

“Connected by Threads” includes two events. A combined ticket to both events is $85 for AAQ members and $100 for non-members. An afternoon lecture titled “From the Country to the City: An Aesthetic Survey of African American Quilts,” will be presented by Mazloomi, noted quilt historian, artist and founder of the Women of Color Quilters Network. The lecture and tea reception will be held from 4:00 p.m – 6:00 p.m at the Charles Sumner School Museum and Archives at 1201 17th Street, NW, Washington, DC. Individual tickets are $17 for AAQ members and $20 for non-members.

Also on exhibit at the Sumner School during this event is “Legacies in Fabric: The Heritage of Quilting and Quilters,” by the Daughters of Dorcas and Sons, a DC area quilting group formed in the 1970s. Twenty members of the Daughters of Dorcas and Sons have been interviewed for the AAQ’s grassroots oral history project, .

The evening component of “Connected by Threads” honors longtime board member Le Rowell, an independent curator and lecturer on quilts and diplomacy. Rowell’s lecture is titled, “Quilt Diplomacy Connecting People.” Mazloomi will also make remarks at the dinner, and a brief overview of the work of the Alliance for American Quilts will be shared. The dinner, lecture and a silent auction of quilts and quilt-related items will be held from 7:00 p.m. – 10:00 p.m. at the DACOR Bacon House, located at 1801 F Street, NW, Washington, DC. Individual tickets for the dinner are $75 for AAQ members and $90 for non-members. Table reservations are also available.

For complete information and online ticket sales, visit the .

This press release sent by Amy Milne is brought to you courtesy of

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Thursday, January 21st, 2010

A long time ago, when working with Photoshop Elements photo modification software, I discovered that it is best never to choose “Black and White” as a color combination, even when an old photo IS “Black and White.” If you look closely at the photo, you will notice that there are many gradations of color. One would not think that to be true, but it is. I noticed the variations in Black, just last week, when I was wearing a pair of Black slacks and a Black blazer. White blouses can vary considerably in their degree of whiteness.

In quilting, blank spaces (like expanses of white) can give the eye a place to rest.

In fact, in the absence of “nothing,” surrounding shapes take on more meaning. White can signify snow, as it does in one wall quilt I made just before I went to the hospital for a biopsy. Not knowing whether or not I would be diagnosed with cancer, I made a wall quilt that visually-represented important considerations in my life. The quilt shows my husband and I together in a sleigh. In the distance there are mountains, a moon, and a small stone church with a cross at the top, and nothing else.

As I thought about life and about death, I felt that love and faith were the two main reasons why life itself made any sense at all. I hand quilted the white expanses of fabric so that the scene looked like windblown snow. When the quilt was finished, I’d quilted out the angst and fear of the impending possibilities. And people wonder why quilters quilt?

Yvonne Porcella, an avid Art Quilter, is known for her Black and White checkerboard designs that she often adds to her quilts. Black and White together make a striking statement, but the key to the appreciation of her work is to realize how she adds in color and in what manner.

Just like life itself, not much of anything is strictly “Black and White.” There are always gradations of meanings and interpretations. When someone sees a movie, or reads a story or a poem, that person will judge any content based on his/her own previous experiences. We all slightly misinterpret the intent of a speaker simply because we are not inside his/her head! We can only understand what we “think” the person meant.

Of course, when I was growing up, a standard riddle was, “What is Black and White and Red (read) all over?” The answer was: “a newspaper.” The old Black and White television set that we had in the 1950s certainly was not strictly in those two colors.

The challenge for artists comes when trying to render an image solely in Black and White. By necessity, additional subtle hues must be present in those two basic colors, or the work can look flat and uninteresting. The variance of tonal values seems to be one key to a successful painting or quilt. If one is mixing paints, the color Gray can be achieved by mixing Black and White. I am suggesting that various “shades,” or values, of Gray could add more interest to a two color composition with a limited palette of Black and White.

We will never know everything, and we only learn by doing and by incorporating the suggestions of others, when we are learning the principles of art.

Note: Black, in our society, is often associated with death and mourning; and white is linked to wedding dresses. Color usage changes across time and across cultures. Is it in Korea that wedding dresses are Black? In early America, wedding dresses were the “best” dress of two dresses: one dress was an everyday dress and the other a “Sunday best” dress.

Be observant of color, at all times. Appreciate the colors of nature: the sky, the sea, animals, plants, flowers, fish, and people. One of my favorite things to do is to ride through the Vermont countryside in the springtime wearing Polaroid sunglasses, appreciating the many different, emerging colors of Green in the trees, bushes, and fields. It would be a dull world if anything at all was walgreens viagra couponBlack or White. Luckily, we can enjoy every color and the enormity of variations. Did you know that there are more colors than can be seen with the naked eye?

Patricia Cummings