Archive for April, 2009

Take Your Usual Obituary …

Wednesday, April 22nd, 2009

How many obituaries have you read? Are they not consummately-boring? If you agree, then write your own and keep it updated and ready “for the right time.” Sure, you were born. You wouldn’t be here, if you weren’t. Do we really care what day, or what hour, or exact minute that happened? No, we don’t. Okay, I’ll clarify that. I don’t care. Obituaries could be more general, such as, “She lived 90 or so miserable years.” Close enough!

We know you had relatives. Some of them may have cooled their heels in jail. Do we need a list of these reprobates? I say, “No!” I don’t care who you were related to in life. Who were you?

Now, here comes the kicker. For what reason do you want to be remembered? I mean, what exactly did you do in life?

I don’t mean a list of college degrees. What did you do that makes you different than the other clods who sat in a classroom, perhaps listening to a nitwit drone on and on, wasting your money, the government’s money, or your parent’s money, on some topic you didn’t care about and will never remember anything about in twenty years? (No, I am not anti-Education, for the record).

Did you take what you learned a little further, beyond the knowledge from a preliminary survey course? Did you become a scientist, an inventor, a public speaker? What did you do that makes you special, a cut-above, someone who stands out in a crowd?

Writing your own obituary affords you a chance to have some input into lasting remembrances of what made you … you! If you want, include some of the more obnoxious things you might have done, like scaring the poor nuns by drawing pictures of a naked Superman flying through the air (like one kid I knew). How about the time you went snorkeling to see exotic fish life in Hawaii? Perhaps, you were “Cook of the Week,” in your local newspaper? Maybe you studied abroad, or traveled there to an exhibit where your quilts were shown. You see, we all have something unique about us. Perhaps you served in the Armed Forces, in wartime, or not. All of our experiences make us who we are.

I would like to see obituaries that go beyond the raw data, the peripherals of dates and degrees and relatives whom, by a fluke of nature, we happen to be connected. Obituaries are becoming shorter and shorter. It is worth it to pay a little extra for more coverage. After all, this is your last peep and I think the peep should be your own peep, not a peep from someone else who doesn’t give a peep. (big grin)

Think about it. I believe this is as important as writing your will, and like you will, your obituary should be revisited annually to see if anything has changed or any modifications are needed. Have fun blowing your own horn. Just remember, you are not writing a book, but for heaven’s sake, give yourself a decent peep before you “shuffle off the mortal coil,” “cease to eat crumpets,” and otherwise, look mummified!

Patricia Cummings
Quilter’s Muse Publications

“Song” – a poem by Celia Thaxter

Tuesday, April 21st, 2009

Song

A rushing of wings in the dawn;
a flight of birds in the sky.
The darkness of night withdrawn
in an outburst of melody.

O birds through the heaven that soar
with such tumult of jubilant song!
The shadows are flying before,
for the rapture of life is strong.

And my spirit leaps to the light
on the wings of its hope new-born,
and I follow your radiant flight
through the golden halls of morn.

by Celia Thaxter, born in 1835.

Historic Waters

Tuesday, April 21st, 2009

Today, Jim and I had some business to do at the seacoast so we thought we would include a little ride along the beach from Rye, through Hampton, and to the dividing line between New Hampshire and Salisbury, Massachusetts. We stopped at one of the pull off points, and I asked Jim to take a photo of the Isles of Shoals, barely visible, even on a clear day. The shoals were a favorite gathering place of poets and artists in the nineteenth century. Celia Thaxter is perhaps one of the more famous ones.

As I looked out on the Atlantic Ocean, I thought of all the ships that made their way across those waters, bringing cargo to Portsmouth Harbor. Portsmouth was once a thriving port city, at one time.

I remembered the time that my mother and I helped to chaperone a field trip for my son’s school class who wanted to go on a Whale Watch. I fondly thought of the whales we saw that day, including baby whales swimming alongside their mothers. The big mammals are amazing, and so friendly!

I thought about the cruises they have out to the Isles of Shoals and how much fun it might be to do that sometime.

http://www.islesofshoals.com/

The errand that we went to do could not be done. The shop had moved and we did not know that, assuming it had just gone out of business, until we checked the internet at home. We stopped at a needlework shop. As luck would have it, bad luck that is, it is closed on Monday. We did stop to have lunch at Ixtapa. Their pollo yucatan, arroz, y refritos , with flan for dessert cannot be beat. We needed some time away from home. When one works from home, one works all the time, so to relax, it is necessary to leave. It’s good to have a change of scenery.

I came home to a barage of phone calls to return, e-mails to answer, and things to do, but in the meantime, it was fun riding around in a special area of the state. There are many changes, some not for the better. Yoken’s Restaurant, a favorite of many, for years, is no longer there. A parking lot stands in its place. A hotel inn at the Portsmouth traffic circle has been torn down, and there is a lot of industrial land for lease in the whole seacoast area, as well as homes for sale, including some of the seacoast’s stately mansions.

Mostly, the attractions for turistas have not opened yet. The seagulls kept us company, while the crash of waves on the rocks had a soothing effect. I was glad that I wore a sweater and had a windbreaker, as it was so chilly!

New Hampshire is varied in topography. The instructor for the class we just took in early New Hampshire history stated that it took settlers 200 years to reach the northernmost points of New Hampshire. Parts of New Hampshire are on the Canadian border! We learned a lot from the class, and appreciate our home state even more, if that is possible.

Those are my ramblings. From the “Live Free or Die” state …

Until next time,

Patricia Cummings
Quilter’s Muse Publications

“Give Me Jesus”

Saturday, April 18th, 2009

Music often accompanies my quilting and sometimes, computer work. With only a radio at hand, upstairs, I listen to NPR, Country Western, or Gospel stations. Ever since I first heard a song, as performed by Fernando Ortega, a talented Christian music artist, I have loved it, but never thought I would be recording it because I thought it to be his original work. After finding out that the song is a traditional one that is in the public domain, I recorded “Give Me Jesus,” for my website, last night.

If you are not a Christian, then this message is not for you. Please disregard it. I respect your rights to believe whatever it is you believe. In fact, there are Hebrew songs on my website, my great grandmother having been Jewish.

I did not record the song to show off, or to even pretend that I am a wonderful singer. I like to sing, but am not opera talent, or even in the same category as Susan Boyle. God wants us to be happy, and that means using all of the talents that He gave us. So, it is with pure intentions, and a happy heart, that I share with you my favorite Christian song, Give Me Jesus. Perhaps the words will mean more to you than my feeble attempt to sing it.

Patricia Cummings
Quilter’s Muse Publications

It’s All About the Lines

Saturday, April 18th, 2009

Now, what do I mean by such a title for this blog? There were certainly no long waiting lines for the rest room, at the quilt show, as has been commemorated in a very funny quilt by Barbara Barber, a favorite humorous quilter from Rhode Island.

No, what I am getting at is my general impression about machine-quilted quilts. As I said, “It’s all about the lines.” There are many more lines of stitching than are necessary to hold a quilt together. I should also add that “It is all about thread.” I saw lots of shiny, glitzy thread that probably glows in the dark! Much of it was variegated, changing its color like a chameleon or perhaps holographic, and dependent on how the light catches it.

Accenting the lines was more glitz in the name of beads, buttons with shiny parts, or what appear to be rhinestones. One can conclude that, “It’s all about the embellishments.”

Lines of quilting, shiny threads, and rhinestones: what do they equal? An “ART QUILT.” What were vendors selling besides long arm machines? Why, stencils for marking quilts, shiny threads, and rhinestones!

In walking the show, I could not help but wonder what someone who lived in 1850 would think of all of the individualism expressed creatively on the surfaces of quilts, something that used to be a utilitarian item, used up and thrown away. We do live in another age. I now wonder what people will think in 100 more years? Will we have reverted to traditional quilts again, or will something new entirely have come along? We can speculate, but it is nice to know that TODAY, all stabs at creative work is appreciated, by someone, somewhere.

Quilt shows are a little bit like a taste of heaven. Everyone has done their very best, within the scope of their personal vision, and all creative works mirror the work of God himself. Creativity does not exist in a vacuum and we are all influenced by each other, for better or worse. I have a question for you. In being a renegade art quilter, one of the pack, are you being a conformist to a trend? Are you then, not being so renegade at all, but trying to fit into a new way of working in order to gain peer approval? Is art quilting, including raw edge appliqué, which sends one friend screaming into the night, really so unique, or is it an excuse to do spontaneous (i.e. sloppy) work, at times. I have no answers, just many questions, in trying to put all of this into perspective. If anyone has any comments whatsoever, and I hope you do, please make a comment here.

Patricia Cummings
Quilter’s Muse Publications

Quilter’s Muse Awards “Virtual Blue Ribbons” to MQX Show Entries

Friday, April 17th, 2009

We applaud all of the quilters who entered quilts in the MQX show, but from all of the quilts we viewed, we have chosen two favorites. Quilter’s Muse Publications would like to award a “virtual blue ribbon” to these spectacular quilts:

Elsie Campbell Quilt

blue ribbon

Elsie Campbell’s quilt reflects the symmetry of traditional quilt styles. Her appliqué work and quilting are exquisitely-done. Visually, the quilt is cheerful due to its inclusion of the color yellow. This quilt is striking from a distance, due to contrasts in color. The quilt is even more appreciated close-up. The Celtic designs, rendered in solid green, are well-chosen and placed, and are expertly done. This quilt is not too “busy.” The quilter leaves space on the quilt’s surface for the eye to “rest.” After savoring this quilt, it is not surprising to know that Elsie has been named a “master quilter” by the National Quilter’s Association. All in all, we love the colors, the design, and the workmanship of her quilt, and give it a two thumbs up.

Quilt by Renae Haddadin

blue ribbon

Renae Haddadin’s quilts are never a disappointment. The quilt featured here is outstanding because of its appeal both from a distance and close-up. We marveled at all of the quilting motifs, and the quilter’s outstanding use of color. The striped, curved border is unusual and adds even more interest to the quilt. We understand that Renae has a book, soon to be published by the American Quilter’s Society. We will certainly look for this title.

The show was a real treat, and everyone seemed to be enjoying themselves. Many thanks to show organizers, Janet-Lee Santeusanio and Mary Schilke, and all of the volunteers who kept the show running smoothly. The MQX show runs through Saturday, at the Center of NH / Radisson Hotel in Manchester, New Hampshire. Don’t miss it! Admission is $10.00 each. Be sure to bring extra money for all of the wonderful products offered by the vendors!

Patricia Cummings
Quilter’s Muse Publications

So, You Want to Make a Wedding Quilt?

Thursday, April 16th, 2009

Often, when a special event is coming up, like a wedding, I am asked by a non-quilter who wants to learn how to quilt in a hurry, “What would be the best kind of quilt to make for a gift?” Usually, there is a deadline involved and the person is at a zero skill level or a minimal one. This is such a difficult question!

The obvious, easy answer is to make a “cheater cloth” quilt and have the top machine-quilted by someone else. That involves no pain, no strain, and puts the burden of the quilt’s creation on another person’s shoulders. Even more simple a plan is to buy a quilt that is ready-made, but that, too, gets involved. If a person would like a hand-quilted quilt, they can be purchased in department store, but may fall apart, if ever washed. The low price translates to mean that the quality of hand-quilting is not good. Believe me, two stitches per inch is far below the norm of even “acceptable” hand quilting. Most of those are imported quilts, some made in something akin to a slave-labor situation, in other words, sweat shops that do not treat their workers well, making employees work long hours, for little pay, and with hardly a break.

However, both the idea of a quick quilt or a bought quilt, miss the point. Really, the gift giver wants to craft their own vision and use their own color choices to make something memorable, of good, if not high, quality. The gift giver want to provide something home-y, made with love, in the hope that the gift will be treasured.

If you are limited for time and not sure how well a bed quilt would be appreciated, consider making a wall hanging. Wall quilts can be artistically-expressive, decorative, and will be less of an investment in terms of money, in case the bride does not like the quilt.

That reason may account, at least partially, for the number of unused wedding quilts that have come down through the ages and are now antiques. There are countless antique quilts that were never used. They were tucked away into a trunk, and except for a musty smell, or a few acid stains from wood oils leaching into the fabrics, they are in pristine condition.

People tend to hoard material things and save them “for best.” “Best” comes along when the first wife dies, and the second one throws all caution to the wind, deciding to actually use the item, be it a doily, a crocheted afghan, or … a quilt!

If you decide that you really want to make a bed quilt, enlist help. Make it a community project! Construct blocks that have space for writing in the center, such as the Home of the Brave Block or the traditional Autograph Quilt block. After pressing the back of the block to the shiny side of freezer paper, in order to stabilize the top surface for writing, send a block to friends, neighbors, classmates, co-workers, or church or alumni associates of the bride and groom. Have them add their names and a message, if they wish, but be sure they write it in permanent ink. I like Pigma Pen ink, applied with the size nib of your choice. I find that #1 or #3 Pigma Pens work well. When you get the blocks back, be sure to heat press them on both top and bottom sides of the block, after removing the paper.

16 patch quilt

This antique quilt, seen above, is a 16 patch. Found in a Connecticut home, it is in pristine condition, in spite of its having been around since the 19th century. It is superbly hand-quilted. Was it a wedding present? We will never know!

Whatever design you choose, keep it simple, especially if you are the mother of the bride. No doubt, you will have to help out in many other areas of wedding planning. “Nine patch” is the block that traditionally was used to teach little girls to piece. If you have never quilted before, that might be a good place to start. Keep the couples’ favorite colors in mind, or the quilt will end up as a bed for their dog, or worse, decorating the landfill.

These are just a few of my ideas on this busy morning. Have a wonderful day today. The sun is shining in New Hampshire and all is right with the world.

We would love to see examples of wedding quilts that you have made or been given. Send photos to: pat@quiltersmuse.com

Patricia Cummings
Quilter’s Muse Publications

MQX Quilt Show in Manchester, New Hampshire

Wednesday, April 15th, 2009

From April 13-18, 2009, the MQX quilt show (Machine Quilters Exposition) is the hottest thing happening in Manchester, New Hampshire. With quilt teachers flying in from all over the country, as well as vendors, and show participants arriving to see their work on display, this show has become so large that next year it is moving to the Providence, Rhode Island Civic Center.

The public is welcome to enjoy the quilts on display, starting TOMORROW, April 16, from 10-6. Additional viewing opportunities are on Friday, from 9-6, and on Saturday, 9-5.

The vendors at this show always offer many tantalizing items to make quilting easier, more pleasurable, and more fun! From hand-dyed fabrics to beads to fat quarters to fill out your stash palette, there is something for everyone, and every pocketbook.

To read more about the show, please visit the MQX site

quilt,

“Bear of the Trail,” by Janet Fogg, Lake Oswego, Oregon, is an example of a quilt featured in a show review on our website in 2006.

Enjoy the show, if you are in the area!

Patricia Cummings
Quilter’s Muse Publications

American Folklife Center Quilts Added to Quilt Index

Sunday, April 12th, 2009

PRESS RELEASE
For Immediate Release
April 10, 2009

Contact:
Amy E. Milne, Executive Director
(828) 251-7073
amy.milne@quiltalliance.org
AMERICAN FOLKLIFE CENTER QUILTS ON QUILT INDEX
ASHEVILLE, NORTH CAROLINA

The latest quilts to be posted online at the Quilt Index come from two significant collections archived at the American Folklife Center at the Library of Congress. Made in the late 20th century, these 300-plus quilts represent a broad range of techniques and tell a powerful story about the diversity, artistry and motivations of quiltmakers across the country.

The Folklife Center, which documents a wide variety of folklife traditions including music, crafts and food, boasts more than 4,000 collections. The just-posted quilts come from two collections. The Blue Ridge Parkway Folklife Project Collection from 1978 covers quilts made by six Appalachian quiltmakers from North Carolina and Virginia.

This collection at the Folklife Center site includes 229 photographs and 181 interviews with the six quiltmakers, delving into detail about their daily lives. It’s worthwhile to study the quilts on the Index, and link back to the Center’s online presentation to read about these quiltmakers.

quilt by Marnie Lee Parks Bryan

One quilt studied in the project is a simple, practical 16-patch bed quilt made by Mamie Lee Parks Bryan, one of the six Appalachian quilters included in the project. Mamie, born in 1900, led a hardscrabble life with her coal miner husband and six children.

A very different aesthetic is represented by the second collection from the Folklife Center, now searchable on the Index, consisting of 180 winning quilts from the All-American Quilt Contest sponsored by Land’s End and Good Housekeeping from 1992 to 1996. These exemplary quilts from all over the country include many original designs meant to be wall hangings rather than bedding.

Below is an art quilt completed in 1992 by Edna Harbison of Ontonagon, Michigan.

art quilt 1992

Michael Taft, head of the archive at the Folklife Center, said of the announcement, “The American Folklife Center is pleased and excited to be represented in the Quilt Index. The U.S. Congress has directed the Center to ‘preserve and present’ American folklife, and having the Center’s two major collections of quilts in the Quilt Index meets this mandate.”

Taft added that this is an especially fitting relationship, since the Folklife Center “is already the repository for Quilters’ S.O.S. – Save Our Stories, a project in partnership with the Alliance for American Quilts.” Materials from the 900-plus QSOS oral history interviews posted on the Alliance website (www.allianceforamericanquilts.org/qsos) are archived at the Center.

The Quilt Index is run in partnership by the Alliance for American Quilts, Michigan State University Museum, and MATRIX – The Center for Humane Arts, Letters and Social Sciences at Michigan State University. The Quilt Index merges tradition with technology and springs from the work of a unique team of researchers and experts committed to making significant, quilt-related data widely accessible to both scholars and the general public.

Applications are now being accepted from institutions or quilt documentation projects who are interested in becoming a Quilt Index contributor, with a deadline of May 31, 2009. Information and application materials can be found at: http://www.quiltindex.org/collections.php

The Alliance for American Quilts is a 501(c)(3) nonprofit organization.

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The Alliance for American Quilts | 125 S. Lexington Avenue, Suite 101 | Asheville | NC | 28801

Easter Thoughts

Sunday, April 12th, 2009

Happy Easter card

This Easter, Christians across the world will celebrate the Risen Christ and the hope of Redemption and the Life Hereafter.

card depicting Jesus

This card was distributed at my grandmother’s funeral. She was a staunch Irish Catholic who died at age 71, a year before I was born. A prayer is on the back of the card.

As a child, when I would wake up on Easter morning, I knew that my mother would have prepared a large Easter basket with all kinds of chocolate candy and jelly beans. She wrapped the whole basket in colored cellophane.

One year, when I was about seven years old, my brother Jack, who was working at a local supermarket and had some spending money of his own, bought me a black duck that you see me holding in the photo, below.

Easter 1958

The flounce skirt, knee highs, and patent leather shoes were the height of fashion in 1958. I can’t tell what I am wearing on my head, but it seems to be an improvement over the usual “new Easter bonnet.”

If I remember correctly, the song, “Here Comes Peter Cottontail, Hopping Down the Bunny Trail,” was a hit tune, at the time.

Charlotte Crofts' Lilies photos

Flowers were an important part of celebrating Easter. The church was always full of white lilies. Here is a photo of Lilies taken by Charlotte Croft.

I came across a little poem that had been saved in the family album, by my mother. It is short, but poignant, and says a lot about being in contact with those we love, while they are still here.

poem by unknown author

Lamb of God line drawing

“Lamb of God, who takes away the sins of the world, grant us peace.”

This holiday, I shall remember times past, and think of all of my good friends, whom I treasure.

Happy Easter!

Patricia Cummings
Quilter’s Muse Publications