Today, we left New Hampshire early in the morning and traveled to Vermont, where we picked up I 91 south to Massachusetts and then I 84 south through Connecticut to Waterbury, south of Hartford. The amount of snow still on the ground changed considerably as we headed south, until there was none in sight in the area we went. Migrating hawks were lined up in the bare trees, or were soaring, or were on the ground eating their kill. I must have seen thirty of them on the way down. Very late afternoon, as a passenger on the way back, found me studying the interior of my eyelids for awhile. I’m like a little kid. I often fall asleep in the car. Hmmm … or it is zzzzz?
The reason for our trip was to visit an exhibit of antique quilts at the Mattatuck Museum. The exhibit is called “Cover Stories” – Quilts and Bed Coverings from Regional Collections. The quilts will be in place until March 23, 2008.
Entering the building, we heard two ladies being buzzed in at another entrance. Their first question to whomever they encountered was “Where are the quilts?” They sounded like ladies with a mission. They entered the room and one of them headed right to a quilt, grabbed it in a bunch in her hand, within three inches of the prominent “Do Not Touch” sign. She reeled back in amazement and said, “Mercy me! Why ever would they have such a sign?” She dropped her hand.
I was busy enjoying the old quilts when I heard one of the ladies say, “Don’t they have any ‘good’ quilts, any “newer” ones? At that juncture, I wondered if they understood the word, “museum.”
Turning to one of these older gals, I asked if she is a quilter. She replied, “Heavens, no. I quilted years ago. Now, I can’t be bothered.”
It was obvious that neither of the pair knew a thing about what they were seeing and could make heads nor tales out of what the fuss was all about.
Here’s the rundown of what I remember. I think that anyone who loves quilt history would break a leg to get to this exhibit, but maybe those of us who love old quilts are odd ducks. Somehow, I don’t think so.
As one turned the corner, after first coming in the door, there was a blue and white quilt with both indigo and resist-printed fabrics. Next to that was the most stunning, blue, calimanco, glazed wool and linen quilt that is in the finest condition of any I’ve seen here in New England. The wool and flax were raised on the farm where the quilt originated.
Directly across from that was a (nine patch) Whig Rose quilt whose shapes were different from any I’ve ever seen. A quilt with squares of Chintz fabric, oddly set with alternate blocks, had a Chintz border of the same fabric. At the time this was made, I would imagine the fabric was expensive, to get that much of it.
Two Crazy Quilts hung side by side. Both were in excellent condition and truly representative of their genre and time period. There was a lot of surface decoration, including painted fabrics, Kate Greenaway designs, lots of floral motifs, stitches, and all that you would expect from fine example of this type of mid-1880s, non-quilt.
There was a Friendship quilt from 1861 and it was fun to study all the different fabrics that had been used in that. Another quilt was made of vertical rows of hexagons, with a name stenciled into the center hexagon, with brown ink.
A marvelous all-silk Lily quilt adorned a bed in the gallery, in colors of red, green and cream. It looked to be beautifully-quilted. There was a gorgeous Log Cabin quilt with 12 blocks across and 14 blocks down, all in silk, and in excellent condition. This would have been in the category of a “show quilt,” at the time it was made.
There were other Star quilts, pieced quilts, etc., each of them unique and a feat for their day, or any other day. I’m especially enamored of Crazy Quilts, so I lingered there for a long time. They were a visual feast.
Upstairs in the museum, there is a huge button collection on display. Waterbury used to have an active factory for making buttons, so that accounts for some of the mounted examples. Some parts of the museum are undergoing renovations, and the cafeteria and gift shop are both shut down right now. We did have a surprise, by taking the stairs to exit. There is a “pillar print” quilt for a four poster bed that is hanging in the location of the stairs landing. If you are not from New England, you would mistakenly call this quilt a “T” quilt or a “Cut out” quilt. Beware! We are watching!
Wonderful day! I recommend this exhibit! Thanks to my friend Carol for telling me about the exhibit. I am sorry to report that the quilt being “mauled” belong to “sue.” I am happy to say that it appeared “to be none the worse for wear.”
Patricia Cummings, http://www.quiltersmuse.com