Archive for July, 2007

Night of Music and History- 12th NH Regiment Serenade Band

Thursday, July 19th, 2007

On July 19, 2007, we enjoyed an evening of Civil War music history as the 12th New Hampshire Regiment Volunteer Serenade Band played traditional Civil War music with their brass instruments. As it turns out, The Manchester Historic Association in Manchester, NH is the largest repository of Civil War music, in the country. The six members of the band, dressed in authentic Civil War attire, first played the Port Royal Books’ arrangement of “The Star Spangled Banner.” The song did not become our national anthem until 1831.

The director of the band took the time to explain the history of New Hampshire regiments during that war which pitted brother against brother. There were fourteen NH regiments, in all, and nine of those had their own band. The bands assisted in keeping morale high, and they also visited field hospitals and played for the injured soldiers.

The significance, origin, and composition of each instrument was explained. The pitch of the instruments makes them incompatible to play in modern bands. Two coronets are E flat, side action instruments, while B flat is the ordinary tuning for a coronet. He pointed out that the E flat bass horn has its sound outlet pointing backwards of the player. This is because the band would be marching in front of the troops, and “hopefully, in front of the horses!”

We enjoyed song after song, and although we were unable to stay for the entire concert, due to sudden illness, we certainly felt enriched by all that we saw and heard during the first half of the concert. Other songs featured were “Bonnie Blue Flag,” “The Girl I Left Behind Me,” “Colonel Meeker’s Quick Step,” “The Rebecca Waltz,” and “The Vacant Chair,” (still played today,) and “The Soldier’s Return.”
In New Hampshire, we are totally blessed to have so many talented people who are so willing to share their time to present programs at the fine quality museums in this state that feature excellent educational programs, such as this one. We thank the musicians and the Manchester Historic Association for providing this event.

Patricia Cummings

Antique Bluework – A Treasure in the Trunk

Wednesday, July 18th, 2007

When a dear relative was cleaning house recently, he kept us in mind and brought over the work of three of his family antecedents. The items range from Victorian times to the 1970s. In the mix are all kinds of textiles, representing many different needlework techniques.

Since Bluework is near and dear to my heart, and in light of my recent ongoing series of articles on that topic, for The Quilter magazine, (Sept. and Nov. 2007 issues), I thought I’d show one of the two Bluework embroidered items found in the stash of goodies.

2 layer child's coverlet in Bluework
Bluework Child’s Coverlet – two layers
photo copyright: James Cummings

This is an unusual design as it shows only the outline of various animals, but no interior details like facial attributes. Some of the images are reverse images of each other. This is quite wrinkled. We hung it out in the sunshine and fresh air. I suspect that, like others of its kind, this was made about 1910. There is a round potholder with a crow, embroidered in Bluework, as well, that matches the design on the coverlet.

The utter simplicity of the designs translates into a kind of “sincerity” of intent that is hard to describe. I hope you have enjoyed seeing one of our latest, unexpected acquisitions. It has been a sheer joy to go through these items so kindly given to us.

I have started a yahoo group for all kinds of Outline Stitch embroidery. We are an active group! You are invited to join. Please provide your name when you request membership. Thanks! See the link at my main website.

Pat

The Sewing Circles of Herat

Tuesday, July 17th, 2007

The title of this blog entry refers to the name of a book by Christina Lamb, subtitled: A Personal Voyage Through Afghanistan. It is the kind of book that is so riveting, one could forget to make dinner, or even, want to eat it. The author is no stranger to “the poorest country on earth.” She brings to her writings her affection for the people there, and all that they have experienced.

I have just begun reading this book, but I know that it is one that WILL be read, all the way through. The focus of the descriptions in the first few chapters is the brutal treatment of citizens, and the punishments meted out by the Taliban for simple infractions of the Islamic law, as they see it. A woman can be whipped for wearing shoes that “click” on the pavement, or wearing white shoes (the color of their flag), or doning make-up. The author speaks of women, forced to beg for bread on the streets because their male relatives have all been murdered, and therefore, they have no food. However, without a male to accompany them in public, a severe infraction, they were beaten. She tells of unspeakable crimes, not unlike what was done to the Jews during World War II: unfathomable, unbelievable, ungodly, Satanic crimes against humanity.

As I sat reading the book, sheltered by the shade of a tall arborvitae in our yard, I watched a tiny, itsy-bitsy grasshopper, complete within himself, a living, breathing, self-sufficient organism hopping among the low-growing clover blossoms. I asked myself, “How can this be?” A lowly grasshopper can go about his business, unmolested, while somewhere on God’s earth, humans are still being stripped of their liberties, living in constant fear, and are unable to just go about the business of daily living.

I am not just referring to Afghanistan. My thinking expands to South America and the now traditional problem of “los desaparecidos” – (“the disappeared”), the men who vanish in the night, never to be seen again, kidnapped and murdered for political reasons, or no reason perhaps, just to incite fear so that some despotic “leader” can inflict control over others.

We who live in America have a far from perfect system, BUT we have the best democracy on earth, where every voice can be heard, no matter how small. Many Americans live in the lap of luxury, compared to people of other countries, some of whom do not have fresh drinking water, adequate toilet facilities, or a local Super Center or Mall to provide for their shopping needs.

While many Americans line up to buy the latest technological innovation, and even sleep in front of stores to be “the first-est with the most-est,” the rest of the world wonders where their next meal is coming from, or why they must continually be “great with child” when another mouth to feed is undesirable, and they are witness to mutilations of people they know, some of those, children.

Violence has been going on since Cain slew Abel, if not before. The strangest component to me is the connection between organized religions and violence. Just look no further than the Spanish Inquisition, a truly Black memory in Spanish history; or consider the Puritans themselves with their intimidating ways and unusual and beyond-cruel punishments. For some reason, “so-called” religious people like to inflict damage on those who do not believe as they do, or else annihilate them (as witches, infidels, or unbelievers.)

There is a real disconnect between what I know and live as an American, and how I interpret how the rest of the world lives.

Reading the book about Afghanistan made me realize once again how very lucky Americans are, and how little some of us appreciate what we have. When I returned from living abroad in 1973, the first thing that struck me was the size of American cars. The big cars seemed so environmentally wasteful. Add to that the ideas of the hippies of that decade. To go around in rags and to own nothing was cool (anti-materialism.) Things have changed and now the hippie generation owns the big cars, the houses they said they’d never have, and all the accoutrements of having some modicum of success, as happens if one lives long enough.

Blessed are the rich for they shall crunch numbers and make the system work for all.

Blessed are the poor for they often cannot help themselves and must rely on the rich to help them find their way.

Please think of the people of Iraq and Afghanistan and Guatemala, and Chile, and Cuba and so many other places, today. There are good people everywhere…and some are suffering way too much. While you are at it, please count your own blessings.

P.S.  I do not yet know the significance of the title of this book, but I am sure that I will find out! Tune in for a much more upbeat, cheerier topic, tomorrow.

Patricia Cummings

A Personal Note

Monday, July 16th, 2007

No self-respecting mother of a writer, who is a writer herself, would want to miss the opportunity to crow, just a little bit, about her son’s recent accomplishment. James Patrick Gorham, has just returned from London, England where he presented a paper at the University of London, at the 9th International F. Scott Fitzgerald Conference, a prestigious gathering of scholars.

James currently is pursuing a doctorate degree in English at the University of Rhode Island. I am very proud of his ambition, his talent, and the good use he makes of all of the “gifts” God has given him. The topic of his paper, which received accolades at the conference, is: “‘Help Me? Hell No!’: American Anti-Bolshevism in ‘May Day,’” James Patrick Gorham (U of Rhode Island).

Smiling,

Patricia Cummings

Too Many Textiles and Too Little Time

Monday, July 16th, 2007

Textiles are, “The fabric of our lives.” As much as we may love all textiles and want to try all of the numerous techniques ourselves, in one lifetime that is an impossibility! This is due to the sheer number of choices of things to make!

For example, I know how to crochet and I’ve made various objects including some large crocheted afghans. I’ve also made crocheted Christmas ornaments. However, I love and admire “filet crochet” work. That is on the list of techniques I will probably never learn. I have pre-judged the situation and decided that I just do not have the patience to learn this work…or tatting!

Bobbin Lace making can be added to that list of techniques I will never do. Oh sure, I have created knitted “lace” to attach to a ruffle around a Crazy Quilt pillow. That is an entirely different process than having all kinds of spindles to control.

Surely, I shall never be a spinner, nor a weaver. I don’t like the feel of wool as it passes through my fingers, and I could never get the rhythm of the spinning wheel. Other than weaving a few potholders, weaving holds no particular interest for me.

I could tick off all of the techniques I’ve tried and abandoned as my first choice for working with textiles: needlepoint, plastic canvas work, and Crewel embroidery (although I love the look of it.) Hardanger is fine, but really not my thing. Drawn thread work is completely out. Been there, done that, didn’t like it. That said, it is a good thing to dabble, trying this and that until we hit our stride.

Owning a long-arm sewing machine is not a goal. In fact, I barely use sewing machines at all because there is so much to love about hand work! It can be transported to appointments, it gives your hands something to do while watching television, and it is relaxing.

I have another list and that is composed of techniques I’d like to try, or I’d like to use with more frequency. Brazilian embroidery, Kalocsa embroidery, Stumpwork and Needlelace all fall into that category. Cutwork, designing my own Needlework Sampler, and having the time to design more quilts are also activities I would enjoy. I know that I love appliqué, hand-quilting, and quilts with poems and embellishments.

If you look around my website, you might begin to get an idea of just some of the other needlework techniques that are described there: pieced American quilts, Crazy Quilts, appliquéd blocks and quilts, molas of the Kuna Indians, Egyptian appliquéd quilts, quilts from many time periods, quilts based on Redwork or other Outline Stitch embroidery, Chinese-made appliqué work, a Civil War quilt pattern, and many other styles and techniques.

When one considers an overview of the textiles that women traditionally have made for themselves, as both decorative and utilitarian items, it boggles the mind. Presently, I am looking at a collection of work from women of three generations and it is an amazing assortment of goods. What is even more impressive is that every textile was saved, finished or not, stained or not. “Overwhelmed” is the only word to describe my mental state, when I consider the number of woman hours that went into the personal construction of embroidered handkerchiefs of all types, and aprons, both fancy and everyday, and those items are just the “tip of the iceberg.”

God Bless those of us who “save” the work of others. This generation may not appreciate your work, but I can guarantee you that just because you made it, future generations will enjoy what you’ve left behind. I know that I treasure the few family items I have from various relatives who have passed on. They are not here to make another…”whatever.”

Specializing in one textile topic is very good, limiting as it may be. However, in the field of textiles, it will serve you well to have broad knowledge of many techniques to understand historical time periods and the social significance that is associated with textiles of all kinds. More importantly, if you at least try to learn any given technique, you will have a deeper understanding of it. The rule of thumb is this: “Show me, and I will probably forget.” “Let me try to do it myself, and I will learn how.”

Patricia Cummings

New Hampshire “Rocks”

Saturday, July 14th, 2007

I feel so lucky to be living in New Hampshire. We are a small state filled with big hearts and giant minds and lots of creativity. From the so-called “Granite Hills” which are really not “hills” at all but very adequately-sized mountains, to the pebbles on the sands of Hampton Beach, Rye Beach, or Salisbury Beach, we “rock” and we are a people with which to be reckoned.

New Englanders, in general, are known for their independent spirit, their entrepreneurial skills, and their depth of creative perception. After all, such hearty souls as Daniel Webster, William Loeb, and Robert Frost, all lived here. They all spoke their minds, and I am sure that kind of attitude has rubbed off on a lot of us, including me! Sculptors, painters, novelists and many other creative souls have called this state, “home.”

Having been “invaded” many times before, by the quebecois who came to work in the mills from the Canadian countryside, and the Irishmen who made their way north, from the port of Boston, seeking freedom from discrimination, other ethnic groups have also molded New Hampshire into a proverbial “melting pot.”

In the capitol city of Concord, alone, one can choose to eat at a dozen or more Chinese restaurants, or perhaps go to an Australian one, or to a Japanese Sushi Bar, or to the many Greek and/or Italian restaurants in the city, not to mention several Mexican ones. Yes, the Capitol is not short of eateries, of all descriptions. Some serve “real” NH maple syrup!

You know, growing up in a small town, (where I was not born), I learned that the definition of a “newcomer” is someone whose family has not lived in town for a span of several generations. I found out that my family was accepted, but only marginally so. We were, after all, city people. The men in the family did not spit into a spitoon, nor smoke cigars, whether Cuban or not. They had to learn to plow a field but used a tractor, not a team of horses.

The most amazing story I ever heard, as a teenager, was that of Ozra “Ozzie” Dutton. He lived alone on a farm and he kept animals, including steers (or were they bulls?). At any rate, one day, Ozra was gored by one of these animals and the horn ripped up his stomach in a bad way. He hitched up his horses to a wagon, after having tied a towel around his waist, and he drove to the nearest hospital, which, at that time, was Exeter Hospital, a 45 minute drive by car, today.

The doctors fixed him up, and he got back in his wagon, drove his horses  home, and lived to be in his nineties. That is the kind of country character that is to me quintessentially New England.

Truth be known, the natives of New Hampshire are tough as nails. The climate makes us that way, and the example that our neighbors set only solidifies our resolve to conquer the elements, tame the beasts, and put the world (or your teeth?) on edge with our far-reaching thoughts.

I knew there was a reason why politicians and their advocates come knocking on our “doors” so often, come election time. They are waiting and hoping for an endorsement. The theory seems to be the same one from a TV cereal commercial: “If Mikey likes it, it has to be good!” If New Hampshire approves, the politician just might be a “shoo-in” for the next president!

I simply reiterate: New Hampshire “rocks!”

Patricia Cummings

Myrtie’s Cactus: A Message of Hope

Saturday, July 14th, 2007

Myrtie's Cactus

photo by James Cummings

The “Christmas Cactus” you see here, doesn’t know how to tell time. You see, it blooms at least twice a year, with huge pink blossoms that delight everyone who views it. This picture of it was taken several years ago and the plant has grown even more huge, in the meantime. Why am I showing this to you now? Well, as always, there is a story, and a lesson to be learned.

I call this plant, “Myrtie’s Cactus.” One single segment of another plant was all that was needed to create this one. Let me tell you about an incident. My mother was a patient at a nursing home. After having had a single room during the first part of her care there, she graduated to another room, with a roommate. One day, when I was visiting her, an aide had just brought in a lovely cactus plant for my mother’s roommate, Myrtle. In so doing, she brushed the plant against something, perhaps the doorway, and a segment fell to the ground. Mother said, “Pick that up, Patty, and bring it home. I’m sure you can root it and grow another plant.”

Well, I had started plants before from “slips” of other plants, but never from one tiny segment of a plant. I doubted that I could root it, but I thought I’d try. You can see the result!

Sometimes when life seems most hopeless, and it seems impossible to succeed at a given task, we can surprise ourselves, if we only take a “can do” attitude. Of course, without water and soil and sun and the will of the Great Unknown, the plant segment would not have grown and bloomed again and again.

Isn’t it great when we have someone who believes in us? Sometimes, the vision of our potential, as seen through the eyes of others, is a real impetus to helping us reach our own goals. Luckily, I have had many mentors in my life. My first mentor, in needlework, was my own mother.

I smile when I see this cactus. It is growing unwieldy like a child who has gotten too tall for his pants. To me, the plant represents the continuation of life, against all odds, and I am grateful for the lesson.

Patricia Cummings

The Endless Circle of Needlework Preferences

Friday, July 13th, 2007

Quilting, over time, has experienced ebbs and wanes. The boom periods that most quilt historians acknowledge are the 1880s (after the economic downturn of the 1870s), the 1930s (during the Great Depression), and the 1970s onward, to the present. Some of us have wondered when the bubble would burst again and quilting would either disappear for awhile or undergo a major transformation.

The signs are there for all of the needle arts. Major organized groups are experiencing a smaller number of membership renewals. Antique quilts are no longer commanding “top dollar” – just because they are “old.” Crocheting seems to be experiencing a lull. Tatting is virtually invisible. Needlepunch has enjoyed a brief revival, but that does not seem to be going strong. Most online lists for quilting, its history, and needlework, in general, appear to have few posts.

Part of the problem with the Quilt Industry is what I call the Bandwagon Effect. If someone is selling a product and appears to be making money doing so, then everyone else wants a part of the action. Anything that looks “hot” is jumped on and very shortly, whatever it is that is being sold is ubiquitous (appears everywhere.) Magazine titles are constantly coming and going, literally. Book publishers for needlework and quilt titles, especially quilt history and textile history, are fewer in number and “less willing to take a chance” on new titles, in an already glutted market. Magazines are becoming thinner and thinner and more loaded with advertisements, as those with something to sell compete in the marketplace.

The trend seems to be going toward “quilt art,” a hard-to-define genre where anything “goes” and where the quality of work is not generally the main consideration; expressionism is.

As I’ve said many times before, there is room for all of us, and that includes “Daddy.” Remember the show, “Make Room for Daddy?” Well, in some cases, Daddy is a quilter. Quilting is an international affair, and a cross-gender one, too. We all have much to bring to the table.

I don’t foresee the total eradication of quilting activities any time soon, but I just can’t help but wonder if we won’t all smother under the glut of products generated for a craft/ or an art, depending on your viewpoint, that traditionally has been a very simple task involving cloth, designs, a needle, and thread.

There are traditionalists who enjoy revisiting the old techniques. Others want to create new trends. In trying to reinvent the wheel, some of us are losing our way and forgetting the very things that brought us to this point. I hope that we will all look closely at what we are doing, and assess why we are making the choices we do. For it is only in understanding our own motivations that we can truly represent ourselves in our quilts and needlework.

Patricia Cummings

When You Can’t Go Home Again

Thursday, July 12th, 2007

Occasionally, when I am in a nostalgic mood, and we are in the area, we ride past the farm where I grew up and where my mother continued to live, until she could live there no longer. Now, in the field where I once rode my horses, there is an elaborate mini-mansion with a four car garage. In the house where I once lived, another family resides.

The barns where I kept Bantam chickens, a rabbit, and my horses, and sometimes a few heifers, have been completely torn down. I have memories of tossing and stacking 100 lb. bales of hay into the hayloft, summers, when I barely weighed that myself. Now, that IS a distant memory.

While I was in Jr. High, I held hands with my boyfriend, in same hayloft, both of us way too shy to do anything but that. I remember my big brother, being nervous about the “situation” as if it were a federal crime to hold hands, and shooing my would-be suitor home. As I recall, he never came back.

A vivid recollection are the berries on the farm, among them the high bush blueberries that grew along a stonewall. If I collected enough of them, Mum would make blueberry muffins. Blackberry bushes grew wild along same stone wall, and she would make a pie, all the while complaining about the large seeds in the berries. I remember the low-growing, wild strawberry plants that produced the sweetest berries known to man. I recall the huge “tire” that I stepped on while picking those berries. It turned out to be a six foot long, black snake that slithered off into the field, in search of field mice.

Summer days were carefree…mostly…until the day that my parents were both at work in the city, and my brother threw a bomb down a woodchuck hole, and that started a fire. In my mind’s eye, I can see the local firetrucks skittering across the field to the other side of it, but being able to quickly dowse the fire. I believed I called them on the phone in our country kitchen.

Early in the morning, my brother and I would get up to go watch the deer that would gather, “just over the knoll,” lending new meaning to the name of the town, “Deerfield.”

After I was married to Jim, my mother often would call and say that she had baked or cooked something luscious, such as her Chicken Casserole or an Apple Pie, or a cake, and she’d invite us down. She was a very good cook and baker, so it was hard to refuse.

It’s funny how the mind works. No matter what situation we find ourselves in, bad or good, we think that it will last forever. Perhaps we don’t realize that the bad times could end, as well as the good times. We prefer not to think about our days being numbered, but they are, whether or not we acknowledge the fact.

My mother’s problems, that led to her eventual demise, began early one morning with a stranger’s voice, (an EMT) calling me on the phone to say that she had experienced a heart attack. She was taken to the hospital, and was in and out of other hospitals and nursing facilities until she finally died several years ago. She never had the chance to go “home again.” The undone dishes and laundry, the housecleaning that needed care, the unpaid bills, and all of her worldly concerns were left to others to administer.

Today, I am thinking about people whose homes have been blown away in tornadoes, or washed out to sea, or lost in a fire. Those people cannot go home, any more than I can. You see them on television, sifting through rubble, trying to recover a photo or some momento from the past, something, anything that is representative of their past lives.

The fact of the matter is that none of us can “go home again” when our loved ones are no longer there, even when the physical structure is, indeed, in place. Home is wherever we are surrounded by love. “Home is where we hang our hat,” as they say. Sometimes, the love we have experienced in LIFE can only be re-visited, in memory.

Patricia Cummings

Terrorists Come in All Forms

Wednesday, July 11th, 2007

Today, I am a little on edge. Someone close to me is hopping “across the pond,” as they say, for a few days. With all of the recent problems with terrorism in other countries, I am not happy about the situation. London has been on high alert, as well it should be. Most Londoners are not terrorists but in their midst, there are those who would do evil, whenever they can.

“Gossips,” an embellished re-creation of an 1830 quilt block.

Homeland Terrorists, Gossips, and Snipes

Often, it is easy to forget that most people are decent and caring individuals. Yes, some do have agendas…mainly, for their own advancement.

Terrorism, on a less grand scale, begins on the Internet and is particularly rampant on mailing lists that involve mostly women. Half the time, they do not bother to get their facts straight before attacking, belittling, engaging in name calling, or otherwise acting like…well…women!

The behavior is nothing new and should not be surprising. In contrast, it is one of the reasons why I wrote the “Why I Like Men” essay a short time ago, on this Blog.

Every time I think of the kind of terrorist woman described above, I envision a little, old, crooked lady with a menacing look on her face, holding a needle in the air, in a threatening manner. The mental image amuses me.

Although I shall not be sharing the names of people whom I’ve encountered lately who have left a sour taste in my mouth, I KNOW who you are, and furthermore, YOU know who you are. Why not quit the silliness of what I call “social posturing”? People who act in such ways only make themselves look like a horse’s patootie.

That is my VERY opinionated view this morning. For all the good folks who happen to have read this rant, I say, “Keep doing what is right.” It doesn’t matter what you do, as long as you do it for the right reasons. For me, sharing information is my chosen goal. Information is Education, and Education is Enlightenment and Understanding. With any luck, I will continue to try to bring education, enlightenment and understanding to all of my writings, for a good while longer.

Patricia Cummings